Larry Chapman
25
COW Coins
4
Premiere Pro Coins
1
Solve Coin
Forum Replies Created
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To control each image’s motion separately – Drop the images onto a 1920×1080 sequence and keyframe the motion of each.
Or…drop your full resolution image sequence into a 1920×1080 sequence and keyframe that. I believe this option is what you’re looking for.
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The Audio Track Mixer has a volume slider for the master track.
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Lock the audio track you don’t want disturbed.
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It’s not clear if you’re doing a reframe of a 4K spherical video to 1920×1080 or you are simply reducing the resolution of the equirectangular format from 4K to 1920×1080.
I do a lot of spherical editing with source video from a GoPro Max (5.6K). Sometimes I publish full resolution equirectangular and sometimes I publish 1920×1080 reframes. I’ve never had a quality issue coming from Premiere. I do use a beefy bit rate of at least 50Mbps. Also, you must be patient. In my experience it can take YouTube *hours* to render the higher resolution versions.
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It might be coming. There is a history of features migrating from AE to Premiere (Warp stabilizer, for example).
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I would try a high pass filter first. See if you can reduce the pop significantly without negatively impacting the voice too much. You’ll have to experiment with the frequency.
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Your pictured sequence is interlaced. If it was progressive it wouldn’t have a specified field order.
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Try exporting progressive instead of interlaced.
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Great question, and one that I’ve asked myself many times over the years!
My standard contract says that I will keep the data for one year at no charge, then start charging. However….. I have never charged anyone. I do go through my archive now and then and “prune” files that come from clients I have high confidence are “done”.
Very curious to hear what others do.
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I’ve had this kind of thing happen on occasion. Try:
1) If you’re using the Media Encoder, try a direct export and visa-versa.
2) If you’re rendering with GPU, try it without, and visa-versa.