Jerry Hofmann
Forum Replies Created
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Got Soundtrack Pro? (Part of new Studio)… it has a feature that will work really well for this… the buzz isn’t going to be easy to delete with FCP I’m afraid.
Jerry
Apple Certified Trainer
Author: “Jerry Hofmann on Final Cut Pro 4” Click here
Dual 2 gig G5, AJA Kona SD, AJA Kona 2, Huge Systems Array UL3D
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Probably have an installation issue. In other words, t’s not a bug…
So the fix is an uninstall/reinstall… If your install of Tiger was an “upgrade” and not a clean install… I’d do that too.
Jerry
Apple Certified Trainer
Author: “Jerry Hofmann on Final Cut Pro 4” Click here
Dual 2 gig G5, AJA Kona SD, AJA Kona 2, Huge Systems Array UL3D
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Yes- up to 4000 pixels in either direction.. put in sequence, double click the clip there, then in the motion tab… play with scale and centering…
Jerry
Apple Certified Trainer
Author: “Jerry Hofmann on Final Cut Pro 4” Click here
Dual 2 gig G5, AJA Kona SD, AJA Kona 2, Huge Systems Array UL3D
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the record viewer? you mean the Canvas after placing clips in a sequence? Are you having to render these clips in the sequence? or? How do they playback in the Viewer?
Jerry
Apple Certified Trainer
Author: “Jerry Hofmann on Final Cut Pro 4” Click here
Dual 2 gig G5, AJA Kona SD, AJA Kona 2, Huge Systems Array UL3D
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It’s the camera’s problem… Canon’s cameras aren’t very friendly and burn extremely poor qualtiy TC signals. The “Quick” fix is to dub the tapes to DVCAM, and generate a new timecode track in the process I’d think.
Jerry
Apple Certified Trainer
Author: “Jerry Hofmann on Final Cut Pro 4” Click here
Dual 2 gig G5, AJA Kona SD, AJA Kona 2, Huge Systems Array UL3D
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Gotta say that what you are attempting isn’t easy to fix. Got Soundtrack Pro? That has features that will do the job a ton better than FCP can do…
Jerry
Apple Certified Trainer
Author: “Jerry Hofmann on Final Cut Pro 4” Click here
Dual 2 gig G5, AJA Kona SD, AJA Kona 2, Huge Systems Array UL3D
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Walter, I’ve not had to do this at all… HD projects have been all HD shot or created… but how does the terranex box look? Is the material still a bit soft? I can’t wait until this box is less than 20k… I might be a player… but they don’t come very cheap these days. ya know? There aught to be a service bureau out there doing this…
Jerry
Apple Certified Trainer
Author: “Jerry Hofmann on Final Cut Pro 4” Click here
Dual 2 gig G5, AJA Kona SD, AJA Kona 2, Huge Systems Array UL3D
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What happens when you attempt a reference movie?
Jerry
Apple Certified Trainer
Author: “Jerry Hofmann on Final Cut Pro 4” Click here
Dual 2 gig G5, AJA Kona SD, AJA Kona 2, Huge Systems Array UL3D
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Longest capture I’ve ever had to deal with was 90 minutes, and it worked perfectly, however it was DVCAM. Not mini DV…
The generous post made by Don is not quite on the mark however… if the audio was recorded at 12 bit, you need to change the capture preset to 32 kHz.. FCP doesn’t automatically recognize anything, and neither does any other NLE… but in your case, I don’t think this is the problem. Reason is the sync isn’t off far enough.
It’s much more likely that your disk drives dropped frames and THIS WILL cause an out of sync problem like you describe. Post more about your setup, what are the specs of your scratch disk, and what exactly was the source material on DV or DVCAM or?
Jerry
Apple Certified Trainer
Author: “Jerry Hofmann on Final Cut Pro 4” Click here
Dual 2 gig G5, AJA Kona SD, AJA Kona 2, Huge Systems Array UL3D
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Might consider a dub thru a teranex box… I’ll wager this is as good as it gets.
Jerry
Apple Certified Trainer
Author: “Jerry Hofmann on Final Cut Pro 4” Click here
Dual 2 gig G5, AJA Kona SD, AJA Kona 2, Huge Systems Array UL3D