Forum Replies Created

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  • Rohit Gupta

    February 10, 2011 at 2:05 am in reply to: Wiping memories

    There are two ways to do this. You can use a layer mixer to mix back the original. Add a layer mixer at the end, and connect the second input to the original connector.

    Often, all you need to do is to tone down the effect of a given node. Use the Post Mix control to control the opacity/effect of each node.

  • Rohit Gupta

    February 7, 2011 at 3:03 pm in reply to: Making cut adjustments.

    You can create a new project with the scene detection and colortrace your changes. It will use the source timecode in the clips to copy over the grades to the new project.

    Could you send your project exported out to our helpdesk at davincihelp (at) blackmagic-design.com?

  • Rohit Gupta

    January 28, 2011 at 2:44 am in reply to: monitoring scaling on 2k+ projects

    This is the workflow within Resolve:

    Disk image -(a)- Timeline resolution -(b)- Output resolution

    (a) is controlled by the timeline resolution in the config page
    (b) is controlled by the resolution on the output formatting/render page

    All your grades are done at the timeline resolution

  • Rohit Gupta

    January 28, 2011 at 1:50 am in reply to: monitoring scaling on 2k+ projects

    I would recommend setting the system res to HD, and then flip it to 2K when you are ready to render.

    The main benefit is almost 50% more performance during the grade, although you do incur the cost of resizing the image to HD during the grade.

    Resolve has window tracking which tracks windows, etc when you switch resolutions, or apply Input PTZR.

    The alternative is to monitor as a HD crop, either at system resolution, or as output format.

    Regards,
    Rohit

  • Rohit Gupta

    January 27, 2011 at 2:50 pm in reply to: GT120 or ATI5770 on 2008 Mac Pro

    The ATI as compared to the GT120 definitely makes the Resolve GUI a bit faster.

    The second Q4000 used for the GUI won’t speed up the rendering or number of nodes, but will make the Resolve GUI a bit faster.

  • Rohit Gupta

    January 27, 2011 at 7:57 am in reply to: Rec 709 to Rec 601 LUT

    If you render to a SD YUV format (ProRes, DNxHD etc), the 601 matrix is automatically applied so you do not need a LUT for that.

  • Rohit Gupta

    January 25, 2011 at 11:11 pm in reply to: Timecode issues in the Media Pool

    Hmmm that doesn’t sound right.

    Can you please restart the app, make sure the config is right, browse to the folder, and add it into a new project, just to make sure!

    If the problem persists, please contact our support at davincihelp (at) blackmagic-design.com.

  • Rohit Gupta

    January 25, 2011 at 10:17 pm in reply to: Timecode issues in the Media Pool

    In the config page, there’s an option to generate the timecode based on frame number. I suspect that might be turned on.

  • Rohit Gupta

    January 24, 2011 at 8:59 am in reply to: Da Vinci Questions

    Here are some screenshots of the tool:

    1538_resolvedbbackup.pdf.zip

  • Rohit Gupta

    January 23, 2011 at 10:10 am in reply to: Locking down resizes

    Aha I think this one is easy. Switch your Resolve to Color or PTZR from the Session menu (I think). By default this is ALL. When you are in Color mode, and you recall a mem, only the Color is recalled. When you are in PTZR, only the PTZR is recalled. If I understood your question correctly, this should work.

    This same control also affects when you press the Mark/Dynamic key. It would mark only the current node or the PTZR list, instead of all the lists.

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