[Mads Nybo jørgensen]

Hey Eric,

Not sure what make and model of PC hardware that you are using, so may be different on your system:

Davinci clearly thinks that there is a NVidia chip (or card?) installed on your system.

There has recently been issues between Windows (11 in my case) and NVidia, and Adobe and NVidia + everything else.

Either search for NVidia in search panel to see if NVidia software (app) appears. There you can check for the latest version of NVidia software.

If not, Right click on Windows icon at the bottom and open “Device Manage”.
NVidia shoud show under “Display Adapters”.

Hope that this helps?

Atb
Mads

[Mads Nybo jørgensen]

Hey Malu,

John is the best and most likely person to help you here.

I just want to ask: Why are you using BETA release from Adobe, when not even their v25.5 is stable?

Maybe roll back to v25, if you can, and see what happens?

Also, check what versions your Adobe Bridge and Media Encoder apps are at?

Atb
Mads

[Mads Nybo jørgensen]

Hey Son,

Interesting shot.

But how does it start, and how does it end?

Is it static, or does the camera “travel” with the subject?

My first impulse would be to focus on the lighting, as in how high to you need the ceiling to be?
The size of the room itself can just be a big room (studio), or consider using blue screen/masking in a smaller room.

In my younger days, at the beginning of Digital HD, we often processed effect shots where the camera was turned on its side for maximum quality (9:16, which frankly anyone for YouTube Shorts and TikTok + the rest are using today).

Then tilt back in post, and build the surroundings. Which in your example of being pitch black should not be that difficult to do. Doing it this way also give you a different choice when it comes to what lens to use.

But start with the keylight, as once you know how you are going to do the light(s) for that look, the rest will follow.

Just an opinion.
Keep in mind that there are smarter people around here with more camera experience.

Atb
Mads

[Mads Nybo jørgensen]

Hey John,

Learned something new today, which I often do from your mini targeted tutorials.

Thank you!!!

Atb
Mads

[Mads Nybo jørgensen]

Hey Nirob,

Sorry, but the latest upgrade from Adobe has a lot of known bugs in it.
As this forum is mainly about Premiere Pro, you may get a better response over on the After Effects forum.

Here:
https://creativecow.net/forums/forum/adobe-after-effects/

Atb
Mads

[Mads Nybo jørgensen]

Hey Tebes,

Adobe v25.5 is still buggy, so may want to roll back a version.

However:

Are you exporting directly from PPro or via the Media Encoder. If you’ve not tried both give it a go.

But!!! Before you do that, maybe export just the parts that gives you a white screen, and see what that do on export? (Rather than waiting the full hour)

Also, I am mainly on PC where at times I need to purchase and install codec seperately.
It may be that you need to download and install RED specific codec?

Adobe has been known in the past for removing codec’s from their software. Although weired that you can see it in the edit, it could be that it is not “connected” to the exporter, hence go back one version and check what happens there.

Hope that this was somewhat helpful?

Atb
Mads

[Mads Nybo jørgensen]

Hey Jiri,

Multicam in and out, or the other way around with other NLEs, to/from FCPX has never really worked.

Why are you importing into Davinci from FCPX, when you could do the multicam sync and text edit in Davinci, and then take that to FCPX?

And, what is your “transport” data format between the two?

If using XML, maybe use SendToX?
https://www.intelligentassistance.com/

They have a good description of what works, and what does not.

Hope that his helps?

Atb
Mads

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intelligentassistance.com

Intelligent Assistance Software – Creative Workflow Tools for Final Cut Pro and Premiere Pro

Intelligent Assistance Software – Creative Workflow Tools for Final Cut Pro and Premiere Pro

[Mads Nybo jørgensen]

Hey Tehreem,

Why do you keep asking the same question?

You’ve already got your answer, one that you never entered into the discussion on:

https://creativecow.net/forums/thread/best-lark-m2-wireless-microphone-is-it-worth-in-2025/

With all due respect, you are either a spammer or scammer, but I don’t think that you’ve ever had in mind to buy a Lark M2 microphone.

Surely, you either buy one, as they are as a cheap as cow manure, or find something better.

Atb
Mads

creativecow.net

Best Lark M2 Wireless Microphone | Is It Worth in 2025? - Creative Community Conversations - Creative COW

Best Lark M2 Wireless Microphone | Is It Worth in 2025? - Creative Community Conversations - Creative COW

[Mads Nybo jørgensen]

Hey Josh,

Don’t know if you’ve been over on one of the Blender forums, but there is one post where those answering is suggesting to convert the Vertext to Byte color (If I understand it right?).

As it is not my idea, credit, if it works, should go to:
https://blender.stackexchange.com/questions/272054/how-to-export-vertex-colors/27873

Please let us know either way.

Atb
Mads

blender.stackexchange.com

How to export vertex colors

this is a follow-up to this other question. I now have a mesh with vertex colors applied as attribute inside the Object Data Properties. I have tried to export this mesh into various formats, inclu...

[Mads Nybo jørgensen]

Hey Rob,

Setting aside the big lawsuits currently starting up by
WBD joins Disney and Universal in suing AI firm Midjourney over copyright
https://www.c21media.net/news/wbd-joins-disney-and-universal-in-suing-ai-firm-midjourney-over-copyright/

How does one know whether ElevenLabs have breached copyright, when they in their Terms suggest that they can anything that anyone uses the plarfom for. Whilst asking the same users to idemnify them?

Which is the small concern that anything you do with ElevenLabs, they might end up claiming ownership. If you read their Terms:

(d) License to Your Content. You hereby grant to ElevenLabs a license to use, reproduce, modify, adapt, publish, translate, create derivative works from, distribute, publicly or otherwise perform and display, and use your Input to provide the Services (including the trust and safety features therein), to improve the Services, and to develop new services and products. For avoidance of doubt, to the extent that your Input includes your voice, the foregoing license allows ElevenLabs to reproduce, modify, publish, create derivative works from, distribute, publicly or otherwise perform, and use your voice, and other indicia of your persona that may be contained therein, to provide and improve the Services, and to develop new services and products. Notwithstanding the foregoing, we will not commercialize your voice on a standalone basis without your permission to do so. Such license shall be:

• perpetual and irrevocable (which means this license cannot be withdrawn),
• nonexclusive (which means you can license your Input to others),
• royalty-free and fully paid (which means there are no monetary fees for this license),
• worldwide (which means it’s valid anywhere in the world), and
• sub-licensable, through multiple tiers (which means we can make it available to others).

(e) License to User Voice Models. To the extent you own or acquire any intellectual property rights in or to any User Voice Models, you hereby grant to ElevenLabs a license to use, reproduce, modify, adapt, publish, translate, create derivative works from, distribute, publicly or otherwise perform and display, and use the User Voice Models to provide the Services (including the trust and safety features therein) to you, to improve the Services, and to develop new services and products. Such license shall be:

• perpetual and irrevocable (which means this license cannot be withdrawn),
• nonexclusive (which means you can license your Input to others),
• royalty-free and fully paid (which means there are no monetary fees for this license),
• worldwide (which means it’s valid anywhere in the world), and
• sub-licensable, through multiple tiers (which means we can make it available to others).

(f) License to Outputs Generated via SFX

(i) If you create any Outputs using ElevenLabs’ Sound Effects product (the “SFX Outputs”), then, without limiting Section 4(c), you hereby grant to ElevenLabs a worldwide, royalty-free, fully paid-up, transferable, and sub-licensable (through multiple tiers) license to use, reproduce, modify, adapt, publish, translate, create derivative works from, distribute, publicly perform and display, and otherwise exploit the SFX Outputs for the purposes of operating, maintaining, improving, and enhancing the Services, and developing new services and products.

(ii) You may opt out of the sublicensing of your SFX Outputs to third parties (including making SFX Outputs available to other ElevenLabs users) at any time by using the “Disable” functionality on the Sound Effects product page. Upon processing of such request, your SFX Outputs will no longer be made available for new third-party use; however, this will not affect any sublicenses or uses already granted or commenced prior to the effective date of your opt-out.

(g) Necessary Rights. You may not provide Input or create Output for which you do not have all the rights necessary to grant us the license described above. You represent and warrant that the Content and User Voice Models, and our use of the Content and User Voice Models, will not violate any rights of any person or entity, or cause injury to any person or entity.

Question remains, is your client allowed to sublet space on ElevenLabs servers?

Sorry, but I would have thought not, as it is offering a lower resell price than what the provider Eleven Labs would have earned + opening the door for pirated content running through their servers, at a discount.

Just an opinion.

Atb
Mads

c21media.net

WBD joins Disney and Universal in suing AI firm Midjourney over copyright

Warner Bros Discovery has filed a lawsuit against San Francisco-based artificial intelligence firm Midjourney, accusing it of