[Mads Nybo jørgensen]

Hey Zach,

First off, you are unlikely to fix audio as well in After Effects, than what you can do in PPro, Audition or third party like ProTools or similar.

You could use a plug-in like izotope Ambience Match in RX11 (I am a fan), but comes with a price tag:
https://www.izotope.com/en/products/rx/features/ambience-match.html

Alternatively, if you have clean sound, head over to PPro and split out the voice from the background noise (isolate voice), then underlay it with the clean sound of the outdoor background.

If you don’t have clean sound, split the background noise from the outdoor clip, and underlay that under the indoor clean sound.

You will still need to “play” around with EQ on the voice and/or outdoor sound (again, might need a VST plug-in for that).

Hope this helps?

Atb
Mads

izotope.com

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[Mads Nybo jørgensen]

Hey Ian,

We need a bit more information to be able to make suggestions.

What version of PPro are you using + system hardware and software?

When in Photoshop, does the logo have a transparent background?
And is it in the RGB colour space?

Hope this helps?

Atb
Mads

[Mads Nybo jørgensen]

Hey Mark,

I lost several projects, and had one corrupted with an unknown error on export, earlier this year. Not withstanding Bluescreen due to an alledged conflict between Adobe and NVidia kernel.

If you look on this forum, and do a general search, you’ll notice that PPro are getting less and less stable for each version. And, 2025 IMHO was a real bad one.

Most of the problems I put down to poor management of release of software, and the eagerness of including A.I..

As you are on a Mac, and Apple is still playing catch-up on A.I., you might have fewer problems than a PC user.

On PC I am finding Windows, NVidia and Adobe competing, up against numorous other A.I.s. This will become more interesting as first Avid announced large scale integration of third party A.I. vendors, and now Adobe appears to follow that trend.

I did add to my post: “YET, as you want other users to test it for you first”

And if you’re happy to do so, you should upgrade. But please do let the rest of us know how you get on.

You can always go down a version, except don’t expect a 2026 project to open in an earlier version of Premiere Pro.

Atb
Mads

[Mads Nybo jørgensen]

Hey Jin,

There are multiple effects included in your video example.
“Pixel Sorter” is just one part, and without seeing what you are working on, it will be difficult to answer your question.

If not already doing it, put the effect on one person, who is on a keyed out green screen background.

Hope this helps you get started.

Atb
Mads

[Mads Nybo jørgensen]

Hey Brock,

Sorry, we need more of your current specs that what you have shared, please.

Processor, Ram, Storage, just for starters.

Atb
Mads

PS: Your work looks great.

[Mads Nybo jørgensen]

Hey John,

That looks like a hard-drive, video driver, or maybe that the video card needs an extra push into the slot issue.

Do you get green flashes if you run the same footage in an external player, like VLC or similar?
And, same if you export the clip, does it export with the green flashes?

I have yet to install my VEGAS on my new Alienware PC, but will look to do that soon.

Atb
Mads

[Mads Nybo jørgensen]

Hey Malcolm,

What version of Premiere Pro are you using?
What happens if you export one track at a time?

Reason for asking, is that I recently had a v25 project where 1 audio track was corrupted in the project. (And, yes, I did all the usual stuff to fix project/Sequence, but Adobe v25 is a pile of junk for anything longer than 5 minuttes…)

In the end I was able to export all of it in smaller chunks. This was for Wav Stem files, which was my delivery format for that project.

Atb
Mads

[Mads Nybo jørgensen]

Hey Rob,

I would suggest that you jump over to the COW After Effects Expression forum, there are some very clever people “hiding out there”, that might be able to guide you, or even provide a script for you to do the Lower Thirds with.

Premiere Pro will still be able to import the After Effects Graphics and overlay on your stills.

Hope that this helps.

Atb
Mads

[Mads Nybo jørgensen]

Hey Eric,

Although extremely unhelpful, Adobe Premiere Pro is no different.

You have to correct the subtitles when the speaker is either not “audible”, or is using specialist words like places, acronyms or just their mother’s maiden name.

That is before we get to place commas and full stops.

<div>Not sure that it will ever improve, but there has got to be someone out there who can connect Google Translate or similar as a plug-in.</div>

Talking of Google, have you tried using transcribe, translate and replace spoken language.
Go to the gear icon on this video and select a new audio track. I’ve tried both German and Japanese, don’t know if it’s accurate, but it is only the beginning of what is coming…
https://www.youtube.com/watch?v=b4f7IRWHyc8

Keep in mind that Apple AirPods are being developed towards real-time conversation translation.

But my short answer to your question; the world still needs humans to check through the subtitles, and to correct them if and when needed.

Atb
Mads

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[Mads Nybo jørgensen]

Hey Thomas,

What Ben says: If on tripod, you may need a bigger lens (Zoom), which in turn will need a bigger camera.

Just from the boring health and safety point of view: I am not sure that you should be running around with anything like a “long sdi cable” unless you have an assistant to handle cable, and is in an area where the public/other crew, cannot enter. Just in case your client pushes you to hard.

Also, you can not be in two places at the same time.

Depending on signals (or wifi), if it is just a “kiss cam”, you could put an iPhone or similar on the stage, and have it send a “live” video signal to the DJ.

However, if you want the singer to be in lip-sync, then you are into the realm of scaling your production, where you could use small cameras like a Blackmagic Pocket Cinema camera or similar.
There are smaller pro-sumer cameras that might do it for you. But depending on the environment and how easy they are to get off their mount, you may need operator/security on each camera.

Atb
Mads