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Forum Replies Created
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Well, I think you could use the Point Position in XPresso to make the intersection point dynamic, I hope this is what you are looking for.
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Hi Ronny,
I have tried to explain in the video below how to determine the intersection point of the two Splines. I would just like to point out that the intersection with a curved line requires the arc to have a large number of segments in order for the cutting position to be accurate.
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No Worries, Petcove! I changed the project scale in the project settings to centimeters instead of millimeters, it seems that the units were not within the scope of the Symmetry Hub control especially since the model you are working on has one polygon in each of the three axes.
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Hi Petcov,
Maybe the reason is a defect in some of the project settings and the modeling mode settings in the first file. Please check the modified file and let me know if the problem is solved.
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Hi Guido,
I suggest that you use Cloner, and then you could use Effector to control everyone’s movement according to what you need. For example, you can use Random for random movement and Step or Delay to get a specific type of time offset. You could also use a Plain or even a Shader, which provides smoother options. You could also use Effector to control soldiers colors for example. If you googling about controlling animation using Effectors you will find many tutorials useful for you.
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Hi George,
I think that using the shader effector in the offset may be useful to you to achieve this. It is powerful because it has multiple options to control the offset in a more smooth way than Step and others. I have put a link below about this. Please watch after the seventh minute and at the end of the video is a feature that I think is useful to what you are look forward. Also, I wonder if you can use more than one Effector to control offset, such as using Setp and Shader, or Plain then making one of them control movement and the other control visibility I think this will give you stronger options for controlling the animation.
https://youtu.be/_7NKwdiBIUc?feature=shared
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Hi Sonny,
I think the best way to accomplish this in Cinema 4D is by using Turbulence Fd, as it gives you unlimited options for controlling fire and smoke. Below are two links to something similar to what you are looking for. I hope they are useful to you.
https://youtu.be/tw7ijoQV9Tg?feature=shared
https://youtu.be/ZqtxOOD5YCY?feature=shared
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Hi Leo,
is not supposed that the graphic card’s usage to be at 0%, because Redshift is a fully GPU-based rendering engine. This means that the video cards (or GPUs) in your system are what impacts how long renders take to complete, rather than the CPU so please make sure that you are not used the CPU rendering mode in Redshift also make sure that GPU pilot is not outdated.
I hope this is useful to you
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Hi Henny,
You should find your materials and catalogs that you may have created in the Content Browser. If they are not there, go to Edit, then Preferences, then click on Open Preferences Folder. In the pop-up window, go to Library, then Browser, as in the screenshots below, and make sure that the lib4d files of your materials catalogs are there. If everything is in place, try changing the layout.
As for the problem of strange icons, this problem sometimes occurs with some people who work on Mac. Below is a link to a previous topic in the forum about a similar problem under macOS Sonoma.
I hope this is useful to you.
https://creativecow.net/forums/thread/cinema-4d-r16-gui-bug/page/2/
creativecow.net
Cinema 4d R16 GUI bug - Maxon Cinema 4D - Creative COW
Cinema 4d R16 GUI bug - Maxon Cinema 4D - Creative COW
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You’re welcome! I tried to explain how it works In the video below.
