Kevin Monahan
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Something on the media drive is changing every day causing Premiere Pro to be confused. Some files are not matching, likely XMP. Try changing your preferences for Media cache files to save media cache files next to original. This might help. Also, try testing some files by running them from a local disk, not a shared one. See if you still have the same problems.
Kevin Monahan
Sr. Content and Community Lead
Adobe After Effects
Adobe Premiere Pro
Adobe Systems, Inc.
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Make a feature request guys, this one is an important one: https://www.adobe.com/go/wish
Kevin Monahan
Sr. Content and Community Lead
Adobe After Effects
Adobe Premiere Pro
Adobe Systems, Inc.
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Thanks! Please keep up the feedback and we’ll do our best to listen and put important fixes in as fast as we can. https://www.adobe.com/go/wish
Kevin Monahan
Sr. Content and Community Lead
Adobe After Effects
Adobe Premiere Pro
Adobe Systems, Inc.
Follow Me on Twitter! -
Cool, glad that works for you.
Kevin Monahan
Sr. Content and Community Lead
Adobe After Effects
Adobe Premiere Pro
Adobe Systems, Inc.
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Kevin Monahan
March 16, 2013 at 12:49 am in reply to: Assign shortcut to timeline and composition viewer panelsThe Timeline is Shift+3. I’m not sure what you mean by the compositor/layers panel, Effects Control?
Kevin Monahan
Sr. Content and Community Lead
Adobe After Effects
Adobe Premiere Pro
Adobe Systems, Inc.
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Kevin Monahan
March 16, 2013 at 12:46 am in reply to: Pro Res won’t work out of Premiere CS6 even after I’ve installed compressor5K? Have you updated to the latest version of Premiere Pro? Otherwise we have a plug-in for 5K up on the labs site: https://labs.adobe.com/technologies/redepic_importer/
Kevin Monahan
Sr. Content and Community Lead
Adobe After Effects
Adobe Premiere Pro
Adobe Systems, Inc.
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Where do you want to type? In a marker? A text generator? The Project panel?
Speech analysis works much more reliably when you attach a script to it. Check out this video.Kevin Monahan
Sr. Content and Community Lead
Adobe After Effects
Adobe Premiere Pro
Adobe Systems, Inc.
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[David McClellan] “1. T – TT – TTT – option selections in the timeline – is this here at all? Very convenient once you get into a large edit and need to select/move hunks of stuff”
We have the tool, and it works basically the same. Check the toolbar and look for the Track Selection tool: https://adobe.ly/10Np0xs
[David McClellan] “2. Selecting the actual CUT you make on a clip to delete it. For instance – you make an edit with the blade tool to split a clip – LATER – you want to select that cut and delete it recombining the clip – but in PP6 you can not select the edit without being in some trim mode. Any way to just select the CUT itself without being in a trim mode?”
Please make a feature request for “Join Through Edits”: https://www.adobe.com/go/wish
[David McClellan] “3. SNAPPING – it works – but there is no drag with BLADE in the timeline – so how do you know snapping is on if your blade tool doesn’t DRAG to the cursor point when you want to slice? Where is the SNAP in the snapping? There is drag (or SNAP) when you move clips around I see. Just not when using the blade tool. “
Snapping in Premiere Pro is not as evident as in FCP. However, if you’re even close to the playhead (not cursor, BTW), and then make a splice with the razor blade tool, you will definitely create a cut at that point. FCP users are not typically satisfied with that, so make a feature request for “better visual indicators for snapping”: https://www.adobe.com/go/wish
[David McClellan] “4. OPTION ARROW up/down to move a selected clip to an adjacent track in timeline – this seems missing to me and I use it all the time – same with OPT/SHIFT DRAG to copy a clip to an adjacent track. This stuff comes in handy when the edit gets large. “
Your first query is a feature request: https://www.adobe.com/go/wish.
For your second request, you only need to press Option prior to dragging. You do not need to press Shift to constrain vertical movement because it does that automatically.Check out this article for more: 105 Premiere Pro Questions Answered.
Kevin Monahan
Sr. Content and Community Lead
Adobe After Effects
Adobe Premiere Pro
Adobe Systems, Inc.
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Yes, stacking order is important for a track matte effect in Premiere Pro. Glad you solved it.
Kevin Monahan
Sr. Content and Community Lead
Adobe After Effects
Adobe Premiere Pro
Adobe Systems, Inc.
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You really should not create a new sequence with the Animation codec, that will be too hard on your system.
Better to use a sequence codec you use in your normal post workflow and render the file out in that sequence. This is a better way to deal with playback unless you have a monster system with tons of throughput.
Kevin Monahan
Sr. Content and Community Lead
Adobe After Effects
Adobe Premiere Pro
Adobe Systems, Inc.
Follow Me on Twitter!