Forum Replies Created

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  • Jon Doughtie

    April 16, 2020 at 5:17 pm in reply to: HD ouput for 100min show

    Vimeo may be rendering it to a codec with settings suitable for their website. Others like YouTube do that sort of thing. You cannot control what they do with your upload.

    That would not be the way to get the “deliverable” to the festival anyway – or shouldn’t be, for this very reason. Have you been provided with their requirements for the deliverable?

    System:
    Dell Precision T7600 (x2)
    Win 7 64-bit
    32GB RAM
    Adobe CC 2017.1 (as of 8/2017)
    256GB SSD system drive
    4 internal media drives RAID 5
    Typically cutting short form from UHD MP4, HD MP4, and HD P2 MXF.

  • Jon Doughtie

    April 14, 2020 at 12:06 pm in reply to: media Encoder for constant frame rate conversion

    Another option – Handbrake will convert to constant frame rate. It is well very popular within the industry, and free.

    https://handbrake.fr/

    System:
    Dell Precision T7600 (x2)
    Win 7 64-bit
    32GB RAM
    Adobe CC 2017.1 (as of 8/2017)
    256GB SSD system drive
    4 internal media drives RAID 5
    Typically cutting short form from UHD MP4, HD MP4, and HD P2 MXF.

  • Jon Doughtie

    April 14, 2020 at 12:04 pm in reply to: [Premier PRO CC 2019] Problemi di anteprima ……

    Original using Google Translate: Dear boys happy Easter passed to all.
    I’m struggling with the preview problem …
    I’ll explain …
    I am creating titles with essential graphics and my ability after performing the moderate average of the title itself that the bar turns red and does not give me the opportunity to see the preview because when it is above it freezes the image and I do not appreciate the work performed …. only after rendering (rightly green bar) I am able to evaluate …
    In short, to put it briefly, I no longer have the formation of the yellow bar. What have I enabled a command that prevents me from this situation?
    What can I do to make everything more fluid and understanding?
    Thanks in advance to everyone
    Dodago ????

    We need more information about about your computer system.

    Tell us the amount of RAM, how much hard drive storage you have, and if your footage is stored on a separate hard drive.

    I used Google Translate for this. I hope it makes sense.

    Abbiamo bisogno di ulteriori informazioni sul tuo sistema informatico.

    Indica la quantità di RAM, la quantità di memoria disponibile sul disco rigido e se il filmato è archiviato su un disco rigido separato.

    Ho usato Google Translate per questo. Spero abbia senso.

    System:
    Dell Precision T7600 (x2)
    Win 7 64-bit
    32GB RAM
    Adobe CC 2017.1 (as of 8/2017)
    256GB SSD system drive
    4 internal media drives RAID 5
    Typically cutting short form from UHD MP4, HD MP4, and HD P2 MXF.

  • Jon Doughtie

    April 3, 2020 at 9:53 am in reply to: Better/Worse methods of importing footage

    Agree completely with Paul, and add – if your source is card-based, it is important to maintain the complete card folder/file structure.

    System:
    Dell Precision T7600 (x2)
    Win 7 64-bit
    32GB RAM
    Adobe CC 2017.1 (as of 8/2017)
    256GB SSD system drive
    4 internal media drives RAID 5
    Typically cutting short form from UHD MP4, HD MP4, and HD P2 MXF.

  • Jon Doughtie

    March 27, 2020 at 9:46 am in reply to: Adobe Premiere Pro LONG rendering time and 100% GPU

    Just the single drive? That is a big contributor to the issue for sure.

    System:
    Dell Precision T7600 (x2)
    Win 7 64-bit
    32GB RAM
    Adobe CC 2017.1 (as of 8/2017)
    256GB SSD system drive
    4 internal media drives RAID 5
    Typically cutting short form from UHD MP4, HD MP4, and HD P2 MXF.

  • Jon Doughtie

    March 26, 2020 at 1:27 pm in reply to: Bring Picture-in-picture to full screen

    This is certainly something you can do in Premiere Pro, using the size and position control elements under Motion.

    Here’s how to do it easy with a little front end prep. In the project, using the same resolution as your edit, Make a color matte element to create your presets with. They generally default to five seconds in length.

    Using keyframes in that color matte, move it back to the position you want – two keyframes each for size and position at the beginning of the matte. Then copy those frames and paste them to the end of the matte, reversing their order.

    Tweak keyframe positions if needed and set any easy in/easy out setting you want.

    Click the three line menu next to “Effect Controls” on the tab, then click on “Save Preset”. You can name it, make notes about it, etc. Lock the effect to the In Point.

    Now you can drop this preset on any clip and quickly tweak keyframe location to move it to the same place, same speed, every time.

    Working with a long clip? Cut the clip (CTRL+K) where you want the in and out to happen. Drop the preset and position keyframes as desired. Do this a few times and you’ll have an easy, fast rhythm for getting it done.

    System:
    Dell Precision T7600 (x2)
    Win 7 64-bit
    32GB RAM
    Adobe CC 2017.1 (as of 8/2017)
    256GB SSD system drive
    4 internal media drives RAID 5
    Typically cutting short form from UHD MP4, HD MP4, and HD P2 MXF.

  • Jon Doughtie

    March 7, 2020 at 11:14 am in reply to: re: recreating title animation/effects

    Create the word you want one time in AE, choose the color, activate 3D, and keyframe the X axis rotation as desired.

    Duplicate that text line, change the color, and offset it to the right by the desired number of frames

    Repeat as needed. Final desired color should be on the top of the composition stack.

    System:
    Dell Precision T7600 (x2)
    Win 7 64-bit
    32GB RAM
    Adobe CC 2017.1 (as of 8/2017)
    256GB SSD system drive
    4 internal media drives RAID 5
    Typically cutting short form from UHD MP4, HD MP4, and HD P2 MXF.

  • Jon Doughtie

    March 7, 2020 at 11:09 am in reply to: Slowing down Audio

    In my experience, the only way to accomplish this clean with no artifacts is a trip through Audition. Speed/duration changes in PPro work fine – for video only.

    If I need to maintain sync, I will do something like process audio to 80% speed, then increase video duration in the PPro timeline to 120%. 70% audio speed, increase video duration to 130%. And so on.

    System:
    Dell Precision T7600 (x2)
    Win 7 64-bit
    32GB RAM
    Adobe CC 2017.1 (as of 8/2017)
    256GB SSD system drive
    4 internal media drives RAID 5
    Typically cutting short form from UHD MP4, HD MP4, and HD P2 MXF.

  • Jon Doughtie

    February 27, 2020 at 11:08 am in reply to: half of an old project won’t play correctly?

    This. If you updated software since the project wrapped, that might be an issue.

    But without a lot more information on you computer, storage, version(s) of Adobe, other software changes (installs/removals), sequence settings, wrapper and codecs on your footage – everything else is guesswork.

    System:
    Dell Precision T7600 (x2)
    Win 7 64-bit
    32GB RAM
    Adobe CC 2017.1 (as of 8/2017)
    256GB SSD system drive
    4 internal media drives RAID 5
    Typically cutting short form from UHD MP4, HD MP4, and HD P2 MXF.

  • Jon Doughtie

    February 27, 2020 at 11:05 am in reply to: Frame Rate Conversions

    When you convert lower frame rates to higher frame rates, pulldown will always duplicate frames. It’s physics.

    System:
    Dell Precision T7600 (x2)
    Win 7 64-bit
    32GB RAM
    Adobe CC 2017.1 (as of 8/2017)
    256GB SSD system drive
    4 internal media drives RAID 5
    Typically cutting short form from UHD MP4, HD MP4, and HD P2 MXF.

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