Forum Replies Created

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  • John Pale

    September 3, 2006 at 4:26 pm in reply to: FTP

    If you are only going to use is sporadically, why not just use your .Mac account then, since you are already apparently paying for it?

    To simplify the process, try this software called File Chute.

    https://maczot.com/discuss/?p=111

  • John Pale

    September 2, 2006 at 10:38 pm in reply to: little white dots on the timeline near dissolve

    You have dupe detection turned on in your sequence preferences.

    The dots are telling you that you have duplicate frames (frames you have used before elsewhere in the timeline) within your transition.

    Dupe detection slows down performance…you should turn it off if you dont have a pressing need to have it on.

  • John Pale

    September 2, 2006 at 7:41 am in reply to: iMove to FCP

    Never tried to do it, but on Apple’s website they make this claim:

    iMovie HD and Final Cut Express
    Edit projects and media from iMovie HD and Final Cut Express HD with Final Cut Pro 5. With support for the Apple Intermediate Codec, Final Cut Pro can import and work with media and projects from the most recent versions of iMovie HD and Final Cut Express HD.

    So it looks like it should work, provided you have used the most recent version of iMovie.

  • John Pale

    August 30, 2006 at 8:16 am in reply to: cannot launch FCP3 in OS X. Why?

    It cant run in OSX, its a classic application. FCP cannot run in the Classic Environment, you have to boot from an OS9 System Folder.

    You need to upgrade to FCP 4.x or 5.x to run in OSX.

  • John Pale

    August 29, 2006 at 4:19 pm in reply to: Reverse match frame?

    You could also color code the formats of the source clips using labels.

  • John Pale

    August 29, 2006 at 8:46 am in reply to: Final Cut not rendering

    H.264 is not an editing codec. Its compression scheme is too processor intensive for RT editing performance.
    Do not use it for editing within FCP. Use a supported codec to edit, then export a reference movie…use Compressor to encode the exported file to H.264.

  • John Pale

    August 29, 2006 at 8:42 am in reply to: High Def editing

    And, as you probably already realize…you need a capture card capable of Uncompressed HD…The Kona 3 would be a great choice.

  • John Pale

    August 29, 2006 at 8:37 am in reply to: Revised hack for the Photo-JPEG RT in 5.1.1?

    Yes. It still works.

    The new location in the FCP app bundle is Resources/Non-Localized Settings/FXScripts/Enablers.

    Personally, I would not use Photo JPEG for this project, as your footage has already been pretty heavily compressed for DVD…I would stick with 8 Bit Uncompressed or DV50.

  • John Pale

    August 28, 2006 at 7:58 pm in reply to: old film look in FCP 4.0

    [Matt] “I’m editing in FCP 4.0, interested in doing this without purchasing new software.”

    Nattress filters (www.nattress.com) are great for this and are inexpensive, but not free.

    For free, you can use Quicktime Pro. (you have a free license for Quicktime Pro, if you own FCP)

    Export the completed project, or individual clip as a Quicktime movie. Open in Quicktime Pro, the select File/Export/Movie to Quicktime Movie.

    In the movie settings dialog click “Filter”…under special effects, there will be an option called “film noise”..adjust to taste and save your new movie. Import back into FCP for final output. Be sure to use the same codec you are editing in.

  • John Pale

    August 28, 2006 at 4:45 pm in reply to: Reverse match frame?

    No reverse match frame…go to the application menu and select “Provide Feedback” to make a feature request.

    As a workaround, you can select your entire timeline and drag it to a bin, which will give you clips for everything in the timeline…similar to an Avid decompose. You can then use your bin headings to search for specifc codecs.

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