John Pale
Forum Replies Created
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Don’t use Render and Replace for this. Not its purpose.
Select the clips you want to create proxies for in the project panel. Right Click and Select Proxy/Create Proxies. Important: Select a preset that matches the aspect ratio of the original footage. Media Encoder opens and creates your proxies. They become attached when the encode finishes/
Make sure the button “Toggle Proxies” is included under your is included under your Program Monitor. If not, add it by clicking the plus sign and add it from the window that appears.
Toggle the Proxies on and you are playing the proxies instead of the original 4k files.
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The project is corrupt. Try to open an earlier version prior to the crash from your Auto Save folder.
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I use an upgraded Mac Pro 5,1 every day with Premiere Pro 2020 with the exact same Radeon card. Runs very well, however I upgraded the Mac Pro from an 8 core to a 12 core, so that may play a part in how well it performs.
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It runs. Performance seems fine. Your mileage may vary. I believe the previous version of MC was also unsupported on this machine.
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Sounds like he color graded the shots in DaVinci. The original ungraded shot is there underneath if you need to make changes.
You can enable/disable clips by right-clicking on them and toggling Enable.
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Turn on Linked Selection. This the middle button underneath the timecode display in the upper left corner of the timeline.
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Sounds like you solved this, but I was able to fix it without plugins recently just using the Lumetri color panel.
If you go to the new Hue Saturation Curves you have the ability to sample the splotch and adjust its luma, saturation or hue. In my case, I was able to do it with Hue vs. Luma and Hue vs. Hue. Looked completely natural.
You could also probably get it to work with the HSL Secondary corrector, by sampling the splotches, as well. -
I think the latest AME doesn’t support third party codecs like DNX HD. Adobe switched to using their own Quicktime engine, which only has limited codec support. They did this because of Apple removing 32 bit support in Catalina. Catalina only has Quicktime X, which doesn’t allow third party codecs at all.
If you export from Avid using Avid DNX MXF Op1A, it will work in AME. Its Quicktime that is the problem.
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Use the Media Browser to ingest the footage. Don’t drag it in. If the card structure is intact, the Media Browser should recognize the spanned clips.
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Make sure the bins have the .avb file extension. I’ve seen them be invisible to Avid if they don’t.