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Activity Forums Apple Final Cut Pro Legacy High Def editing

  • High Def editing

    Posted by Jeff Jones on August 28, 2006 at 6:58 pm

    I want to begin editing HD material. I currently have a G5 dual 1.8g with 3g of ram, nVidia Geforce 7800 GT video card and two internal SATA drives.
    Is my machine too slow to edit HDCAM video at 1080i? If so, can I upgrade or do I need a faster machine?

    Ben Holmes replied 19 years, 8 months ago 5 Members · 6 Replies
  • 6 Replies
  • Matthew Brunn

    August 28, 2006 at 7:25 pm

    What kind of HD? HD uncompressed, DVCProHD, HDV?

    Hope this helps-
    Matthew
    Quad 2.5 G5
    OSX 10.4.X
    Ram 4GB
    FCP 5.1/AE 6.5/DVDSP4

  • Jeff Jones

    August 29, 2006 at 1:16 am

    Thanks Matthew…..HD Uncompressed and editing with Final Cut 5.1.

  • Walter Biscardi

    August 29, 2006 at 2:08 am

    You don’t need a faster machine, you need faster drives. Uncompressed HD editing, especially 1080i 10bit, is generally done with 10 drive Fibre Channel arrays that run 350MB/sec on up. I have a Med

  • John Pale

    August 29, 2006 at 8:42 am

    And, as you probably already realize…you need a capture card capable of Uncompressed HD…The Kona 3 would be a great choice.

  • Walter Biscardi

    August 29, 2006 at 12:16 pm

    [John Pale] “And, as you probably already realize…you need a capture card capable of Uncompressed HD…The Kona 3 would be a great choice.”

    I’ll second that. With the K3 you’re ready for any format, any output.

    Walter Biscardi, Jr.
    https://www.biscardicreative.com
    HD Editorial & Animation for Food Network’s “Good Eats”
    HD Editorial for “Assignment Earth”

    “I reject your reality and substitute my own!” – Adam Savage, Mythbusters

  • Ben Holmes

    August 29, 2006 at 2:56 pm

    We’re using the Ultra-SCSI 320 solution – dual channel SCSI via Medea 8 disk array. Not as fast as FC, but a little cheaper, and capable of 250-300Mb/s. We’ll probably go Fibre Channel next time, just for the ability to share arrays between workstations.

    Of course, you could use the Kona 3 to capture with the HD DVC Pro codec (see other posts) to get near the same quality at a much lower bit-rate, with a cheaper array. Just another option for you…

    Ben

    Editec Broadcast Editing Ltd
    EVS & FCP specialists for live OB operations.

    “The Supercar Run” now available for international distribution from http://www.electricsky.com

    See you at IBC – we’re there with our FCP/replay truck…

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