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Forum Replies Created
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It’s great to hear that helped. Always a pleasure to help. My best.
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When you right-click or control-click a sequence in the bin you can access it through Settings and Timeline Options as far as I remember. It should also be under the Sequence Menu in the bar when a timeline is active.
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Oh my, there are still people who use my beloved FCP7. I went to FCPX immediately when it was published, and after one year, I never used FCP7 again. It was my favorite editing software, but it is FCPX now. For your question, as far as I remember, there is an image scaling section in project settings where you set it as fit, normal, untouched, or something like that. You may want to check there and try copying again.
I hope it works.
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Hi,
Yes unfortunately this is one of the bugs. What is your version of Premiere Pro maybe it is solved with the latest version, I will try it as soon as I can with the latest version and tell you here. This was also a similar case with Final Cut Pro before and now they have managed to fix it, I hope Premiere can fix it, too.
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Hi,
For starters and for free, you can try the built-in Noise Reduction in Final Cut Pro. It’s in the Basics section of Filters. It probably won’t be a good enough solution. Neat Video is another good solution I used before; I was always happy with the result. You may try other recommendations in trial periods and choose one.
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No Pro video codecs update is not only about FCPX. It is mostly a support at Mac Os level. You can update it and you don’t have to update FCP. Your old FCP version will work without problems if you update it or not.
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Yes, Macs after 2018 should play Hdr. Also, you can check this list: https://www.displayninja.com/hdr-monitor-list/
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Of course, it could be different depending on the software but we are talking about Final Cut Pro right now.
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Hi,
There could be multiple ways to achieve this as Mads mentioned one of them. You can use the standard masking option under Effect Controls > Opacity. As your video with talent on V2, you can create a circle mask or rectangle here and keyframe it. Circle mask is at the widest on the first keyframe so it looks like it is not there and go 10 frames and by making it smaller, keyframe it to the talent’s face, wait 10 frames and now keyframe the position and move it to wherever you want.
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I use different machines for editing, so I always use an external SSD to collect all my materials. When I connect my external to any computer, I am ready to work. Only automatic backups go to the Movies folder of the Mac I work on. When I finish a project, I delete my temp files (Renders, caches, analysis files, proxies, optimized media) and move everything to an external drive.