Forum Replies Created
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I’ll wait!!!
“In Search of a Midnight Kiss” now in theaters!
Stuart Ferreyra
Timecode Multimedia
Colorist / Finisher / Consultant
Off: 310.826.9199
AIM: stuart.colorist
https://www.timecodemultimedia.com“HD, 2K & RED Post Production for Indies at Affordable Rates”
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I checked on all our systems and they have the Konas in slot 2.
I hope you find a solution 🙁 !“In Search of a Midnight Kiss” now in theaters!
Stuart Ferreyra
Timecode Multimedia
Colorist / Finisher / Consultant
Off: 310.826.9199
AIM: stuart.colorist
https://www.timecodemultimedia.com“HD, 2K & RED Post Production for Indies at Affordable Rates”
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Contact AJA asap. The tech support department is amazing. If changing the slot doesn’t fix it you could have a faulty card but only they should be able to assess that.
“In Search of a Midnight Kiss” now in theaters!
Stuart Ferreyra
Timecode Multimedia
Colorist / Finisher / Consultant
Off: 310.826.9199
AIM: stuart.colorist
https://www.timecodemultimedia.com“HD, 2K & RED Post Production for Indies at Affordable Rates”
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Stuart Ferreyra
December 20, 2007 at 5:30 pm in reply to: HELP! URGENT! Downconverting from 1080i60 to DV NTSC looks terrible!I do not know what kind of gear you have…
At our studio, we downconvert HD to any SD format day in and day out. We use our Kona cards to downconvert HD programming to SD through SDI or component to Betacam SP, Digibeta, or DV decks.
The results are always great! Contact a studio with Kona cards and ask them to do the downconversion – real-time to your SD format of choice. We do it all the time.
Hope this helps…
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“High-end Post Services at Affordable rates”Stuart Ferreyra
Timecode Multimedia
Owner / Colorist
https://www.timecodemultimedia.com -
You are defeating the purpose of FW 800 if you use a FW 800 connection to a FW 400 drive. For maximum throughput both the ports and cable must be FW 800. If one end is FW 400 your FW800 port slows down.
Please do not buy a cheap FW 800 drive. They become costly over time. My favorite brand is G-Raid. They are a bit more expensice but very worth it – a true workhorse!
Check the New Apple Color – Training DVD!!!
http://www.callboxlive.comStuart Ferreyra
Timecode Multimedia
Owner / Colorist
http://www.timecodemultimedia.com -
Stuart Ferreyra
June 16, 2007 at 10:41 pm in reply to: best codec for onlining SD doc with Kona LHe?I gotta talk to you about that codec. I’d like more info….
Stuart Ferreyra
Timecode Multimedia
Owner / Colorist
Santa Monica, CA 90025
https://www.timecodemultimedia.com -
Great feedback!
Thanks!Stuart Ferreyra
Timecode Multimedia
Owner / Colorist
Santa Monica, CA 90025
https://www.timecodemultimedia.com -
[walter biscardi] “For something like this? It’s a very simple thing he’s doing and FCP should be able to handle this”
With all the time spent figuring things out for FCP and on this forum, he could have finished it in AE in no time.
Stuart Ferreyra
Timecode Multimedia
Owner / Colorist
Santa Monica, CA 90025
https://www.timecodemultimedia.com -
Call me this afternoon -4PM Pacific- to get details.
310-826-9199Stuart Ferreyra
Timecode Multimedia
Owner / Colorist
Santa Monica, CA 90025
https://www.timecodemultimedia.com -
10bit Uncompressed using component is your best option. Specially, if coming from BetaSP.
DV would be your worst choice period. ProRes??? Hmmm…..Personally, until really proven or massively agreed, I would not trust ProRes. It is still a compressed format and compressed formats throw data away. There is a lot of room for debate on this one; you must choose which side you want to be in.
With the price of hard drives being cheaper and with great solutions like G-Raid for the budget conscious, why spend money and time raiding drives? A 500GB G-Raid 2 will be enough for 10bit UC work. It is a solid unit, FW 800, portable and costs around $350 on the web.
Stuart Ferreyra
Timecode Multimedia
Owner / Colorist
Santa Monica, CA 90025
https://www.timecodemultimedia.com