Forum Replies Created

Page 5 of 13
  • Stuart Ferreyra

    June 15, 2007 at 2:01 pm in reply to: Color Correction

    Upload a full frame sample and I could do a test in FT / Color.

    Stuart Ferreyra
    Timecode Multimedia
    Owner / Colorist
    Santa Monica, CA 90025
    https://www.timecodemultimedia.com

  • Stuart Ferreyra

    June 15, 2007 at 1:58 pm in reply to: Trouble rendering – The Biscardi Challenge

    Wouldn’t be easier to do all this in After Effects?

    Stuart Ferreyra
    Timecode Multimedia
    Owner / Colorist
    Santa Monica, CA 90025
    https://www.timecodemultimedia.com

  • Protools Le has a series of pitch plugins that will help you with the issue.
    I used a while ago and worked pretty well.

    Stuart Ferreyra
    Timecode Multimedia
    President
    Santa Monica, CA 90025
    https://www.timecodemultimedia.com

  • Stuart Ferreyra

    May 7, 2007 at 12:49 am in reply to: Dealing with Reality Show timecode breaks…

    If he is using a big array and have enough space to digitize the 19 hours at UC resolution
    I would completely forget about timecode and edit at online res. For example, at our
    facility we have enough terrabytes to edit at uncompressed res.

    Unless, the client is completely fixed on having the tape’s timecode and you have all the time
    in the world, I would just skipt it and capture through timecode breaks or capture now the
    whole tape.

    Ask yourself and your client if keeping timecode is a must at any cost. Sometimes, it is not
    extremely necessary.

    if you decide to capture through the breaks or capture now, you can always set your own
    timecode in FCP to reference the tape’s and day’s order.

    I know this is not the “most” professional advice, but sometimes -in these kind of situations-
    we have to break the rules.

    Stuart Ferreyra
    Timecode Multimedia
    President
    Santa Monica, CA 90025
    https://www.timecodemultimedia.com

  • Stuart Ferreyra

    May 7, 2007 at 12:38 am in reply to: Inserting to Master

    Trash the FCP’s preferences and POA Cache.
    Relaunch FCP and give it a try…

    Stuart Ferreyra
    Timecode Multimedia
    President
    Santa Monica, CA 90025
    https://www.timecodemultimedia.com

  • Stuart Ferreyra

    May 4, 2007 at 12:38 am in reply to: Apple rocks

    It does not apply to media stock (cd/tape/dvd).
    Neither furniture (couches, chairs, lamps, etc) for your office.

    HD Online Suite? Yes, all your equipment and software.

    Stuart Ferreyra
    Timecode Multimedia
    President
    Santa Monica, CA 90025
    https://www.timecodemultimedia.com

  • Stuart Ferreyra

    May 3, 2007 at 9:43 pm in reply to: Apple rocks

    It is decided by your state’s legislation.
    Clinton did it for California when a lot of business was going to Canada.

    If your state does not support it, you have to pay full tax.

    Stuart Ferreyra
    Timecode Multimedia
    President
    Santa Monica, CA 90025
    https://www.timecodemultimedia.com

  • Stuart Ferreyra

    May 3, 2007 at 8:45 pm in reply to: Kona to Sonic SD-2000 Encoding Trouble

    Maybe connect the same reference to the Kona and Sonic cards?

    Stuart Ferreyra
    Timecode Multimedia
    President
    Santa Monica, CA 90025
    https://www.timecodemultimedia.com

  • Stuart Ferreyra

    May 3, 2007 at 3:31 pm in reply to: HDV mastering & grading

    Walter,

    Would you recommend to do an upconversion from SD to 1080i HD using the Kona 3 card?
    We have not done it yet, but have one doc coming with SD and HD footage. All SD needs to
    be UC 1080i HD.

    We are thinking on sending it to our preferred dub house for upconversion with a Terranex
    Alchemist box. Do you think both the Kona and Terranex would have the same exact results?

    The client is extremely concerned about getting the best quality upconversion.
    Thanks!

    Stuart Ferreyra
    Timecode Multimedia
    President
    Santa Monica, CA 90025
    https://www.timecodemultimedia.com

  • If you are using a DVCPro HD or HDCam deck you can use the internal HD to SD output.
    Most decks come with a SD – SDI output which has a live SD out at all times.
    Then, you can use any of the SD 24P easy setups in FCP and capture through SDI.

    If you are using an HDV deck then you should use the component HD out, but switch the
    deck’s own menu to do the downconversion (most of them have that feature) and capture via
    component.

    Hope it helps…

    Stuart Ferreyra
    Timecode Multimedia
    President
    Santa Monica, CA 90025
    https://www.timecodemultimedia.com

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