Forum Replies Created

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  • Since the capture over the firewire is digital, just ones and zeroes, and is basically just a file transfer, there is no way to control an analog issue like volume.

    If you are capturing analog with a third party device, that is a different issue.

  • Steven L. gotz

    March 14, 2006 at 8:07 pm in reply to: Using sequences

    You should be able to open the original sequences and select everything, then copy it into a new sequence.

    Steven
    http://www.stevengotz.com

  • Steven L. gotz

    March 14, 2006 at 8:05 pm in reply to: Clip Note Customization

    Are you sure? I believe there is a PDF that is used for the template. If you have Acrobat (the full version, not just the reader) shouldn’t you be able to modify it? I don’t have Acrobat, so I can’t tell you for sure, but the file is in this directory by default: C:\Program Files\Adobe\Adobe Premiere Pro 2.0\ClipNotes\en_US

    The file name is ClipNotesTemplate.pdf

    Steven
    http://www.stevengotz.com

  • Steven L. gotz

    March 13, 2006 at 4:48 pm in reply to: Slow Motion

    Right click on the clip and change the speed/duration.

    Or, you can use the Rate Stretch Tool to stretch out the duration of the clip, thereby slowing it down.

    You can not keyframe this to gradually slow down or speed up, but you can do that in After Effects.

  • Steven L. gotz

    March 13, 2006 at 4:44 pm in reply to: Changing Workspace Size in PP2.0

    That is a difficult question. Since all of the open panels must fit on the screen, changing one changes all of them. You can, with practice, arrange windows in such a way that all of the them will be the size you want (within reason).

    If this does not suit you, you can always make each panel a window like in Premiere Pro 1.5 and then arrange them as you see fit. Use the Ctrl key as you drag a pane and it becomes a window.

  • Steven L. gotz

    March 9, 2006 at 1:51 am in reply to: Dynamic Link Import from AE?

    It puts the clip you copied into the same location on the AE timeline that it was on the PPro timeline. Just put the CTI in AE at the beginning and press the “[” key. That will bring the clip to the beginning. Then you can set the workarea to cover the clip and trim the comp duration to the workarea.

  • Steven L. gotz

    March 6, 2006 at 10:42 pm in reply to: Media Management

    Actually, it is quite simple to apply effects to multiple clips on the sequence. Just apply them to one and then copy and then Paste Attributes.

    It would be handy to be able to have bins work like Windows Explorer, but Adobe must not have recieved enough feature requests to put it into the product. Add your name to the feature request list by putting in your own request.

  • Steven L. gotz

    March 2, 2006 at 5:20 pm in reply to: Effect I keep seeing – WHAT IS IT?

    I think I know what he means, and it really is just jump cuts. The easiest way to make them uniform is to set am In/Out and list a section, then move the in/out by dragging it, then lift again. The end point is usually more important than the in point.

    I don’t know of an automated way to do this and have it look good. Just experiment a bit. You’ll get it.

  • Steven L. gotz

    February 19, 2006 at 11:04 pm in reply to: justify title in Premiere 1.5

    If I were subtitling, I would do it in After Effects because you can animate the text parameter. Not just the look of the text, but the actual words. So you keyframe when each new sentence shows up. Pretty simple.

    Steven
    http://www.stevengotz.com

  • Steven L. gotz

    February 19, 2006 at 8:16 pm in reply to: justify title in Premiere 1.5

    Select each space is the only way I know of. Unless you are so close to hitting both edges that you can select the entire line and kern everything on the line to fit. But it will not be easy.

    Why in the world do you need to justify text?

    Perhaps you should be using Photoshop to create the text. Photoshop can justify text once it is converted to paragraph text instead of point text. But be careful when doing so. You may need to soften the edges, and perhaps have a soft shadow. Avoid pure black or pure white.

    Steven
    http://www.stevengotz.com

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