Forum Replies Created

Page 355 of 366
  • Steve Eisen

    December 28, 2005 at 9:39 pm in reply to: I meant, Exporting from FCP5 for DVD SP4

    You will also notice that you do not have A Pack. It now built into Compressor. If you are in desperate need of the MPEG Export, you can download it.

    There have been many posts regarding this change. You just have to change your work flow. Actually, you will like it because you can encode your video and continue to work in FCP.

    Steve Eisen
    Eisen Video Productions
    Director-At-Large
    Chicago Final Cut Pro Users Group

  • Steve Eisen

    December 24, 2005 at 2:53 pm in reply to: Missing Plug ins

    Update to the latest version 5.04 and you will be fine. The plug-in problem was solved in 5.01

    Steve Eisen
    Eisen Video Productions
    Director-At-Large
    Chicago Final Cut Pro Users Group

  • Steve Eisen

    December 24, 2005 at 12:22 am in reply to: SBP2 Protocol

    I have used the D1000 with FCP. The way I got my files into FCP was by using a software program for PC only called FireStore DV File Converter. You can find more information at http://www.focusinfo.com.

    Capturing to the deck is straight forward.

    Steve Eisen
    Eisen Video Productions
    Director-At-Large
    Chicago Final Cut Pro Users Group

  • Steve Eisen

    December 23, 2005 at 4:34 pm in reply to: fcp and Wacom tablet issue

    The pen needs to be completely still, preferebly out of your hands. This also applies to the mouse. Any movement will cause scrubbing to stutter.

    This problem began with FCP 5.

    Steve Eisen
    Eisen Video Productions
    Director-At-Large
    Chicago Final Cut Pro Users Group

  • Steve Eisen

    December 19, 2005 at 2:55 pm in reply to: Template for slide presentation

    Make all your clips in your timeline offline. Open up the sequence and rename it for your new project. For your new project, name your clips with the exact names your template has. It helps if you number them chronological (1,2,3,…). Now for the magic. Select your clips in your timeline and reconnect your media. Render your timeline and you have a new project.

    The harder and more time comsuming way of doing it is using the replace edit function.

    Steve Eisen
    Eisen Video Productions
    Director-At-Large
    Chicago Final cut Pro Users Group

  • Steve Eisen

    December 16, 2005 at 3:23 am in reply to: 23″ display is kind of fuzzy

    It has been said here on the Cow a million times, you need to watch on an NTSC monitor. Any TV set will do. A broadcast monitor would be sharper.

    G5 Dual 2.5 160GB System 400GB Media Drive ATI 9800 256MB 6 GB RAM
    Dual Gig Quicksilver 1GB RAM 80 GB System drive (3) 250 GB internal media storage
    15″ Al Powerbook 1.25 1GB RAM
    OS 10.4.2 FCP 5, DVDSP 4, QT 7.02, Boris Red 3GL 2.45 TB External Stor

  • Steve Eisen

    December 14, 2005 at 3:05 am in reply to: SONY DSR11 vs Panasonic DV2500

    The ONLY deck you should consider is the DSR-11. It is a workhorse. It will last you a long time.

    G5 Dual 2.5 160GB System 400GB Media Drive ATI 9800 256MB 6 GB RAM
    Dual Gig Quicksilver 1GB RAM 80 GB System drive (3) 250 GB internal media storage
    15″ Al Powerbook 1.25 1GB RAM
    OS 10.4.2 FCP 5, DVDSP 4, QT 7.02, Boris Red 3GL 2.45 TB External Stor

  • Steve Eisen

    December 7, 2005 at 12:38 am in reply to: Equipment Advise

    Pat,

    For editing Beta SP with FCP you have a few options. The most inexpensive card is the Decklink SP from BlackMagic Design. That will run you $600.

    AJA’s LA, LH, and IO will all do the same.

    For editing 8 or 10 bit uncompresed, you will need very fast hard drives.

    You might want to consider a DVCam deck for DV work. The DSR-11 is an excellent entry level deck. The DSR-45 is great if you want to connect your Beta SP deck to it via Component.

    As far as places to buy. Midwest Media Group in Schaumburg and ProMax in Irvine, CA are very good system integrators. You can save a lot of money building the system yourself. To save yourself on sales tax, stay away from CDW and Mac Mall. You can purchase directly from Amazon.

    The Chicago Final Cut Pro Users Group is also a great place to get expert advise. I’ll send you a personal e-mail regarding our party tomorrow night.

    G5 Dual 2.5 160GB System 400GB Media Drive ATI 9800 256MB 6 GB RAM
    Dual Gig Quicksilver 1GB RAM 80 GB System drive (3) 250 GB internal media storage
    15″ Al Powerbook 1.25 1GB RAM
    OS 10.4.2 FCP 5, DVDSP 4, QT 7.02, Boris Red 3GL 2.45 TB External Stor

  • Steve Eisen

    November 21, 2005 at 1:48 pm in reply to: color gradation in a single clip

    Desaturate filter under Image control. Fully keyframeable.

    G5 Dual 2.5 160GB System 400GB Media Drive ATI 9800 256MB 6 GB RAM
    Dual Gig Quicksilver 1GB RAM 80 GB System drive (3) 250 GB internal media storage
    15″ Al Powerbook 1.25 1GB RAM
    OS 10.4.2 FCP 5, DVDSP 4, QT 7.02, Boris Red 3GL 2.45 TB External Stor

  • Steve Eisen

    November 18, 2005 at 6:28 pm in reply to: Audio hardware input question

    How about going XLR into your camera? Record to tape then capture into FCP. You either have XLR or 1/8″ into your camera.

    G5 Dual 2.5 160GB System 400GB Media Drive ATI 9800 256MB 6 GB RAM
    Dual Gig Quicksilver 1GB RAM 80 GB System drive (3) 250 GB internal media storage
    15″ Al Powerbook 1.25 1GB RAM
    OS 10.4.2 FCP 5, DVDSP 4, QT 7.02, Boris Red 3GL 2.45 TB External Stor

Page 355 of 366

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