Forum Replies Created

Page 51 of 82
  • Paul Neumann

    February 15, 2014 at 6:29 pm in reply to: trying to export timeline with time-code overlay…

    Effects Contol window. Shift 5 is the default.

  • Paul Neumann

    February 11, 2014 at 10:20 pm in reply to: Avid Style Multicam (Unnested Audio) In Premiere Pro?

    See if this gets you to where you’re trying to go:

    Select a couple of clips in the project bin, right click and select Create Multi Camera Sequence (name it, choose sync method, sequence preset, etc.)
    Right click on the MCS that is now in your project bin and select Open In Timeline
    Now when that sequence is open in the timeline you can add just audio, consolidate clips in a single angle, duplicate audio tracks to replace audio for specific video tracks (angles) and on and on
    And best of all, in this mode you have a Channel Output Assign icon with each audio track so that you can choose which channel of any audio angle goes to with the corresponding video.
    So then when you have that all set up, right click on the MCS in the project bin again and select Create New Sequence and a new Multicam Sequence will be created ready to edit with.
    The video or audio for each edit (angle) is selectable just by toggling with the number keys.

  • Paul Neumann

    February 8, 2014 at 8:59 pm in reply to: Go to next/previous sequence

    Control Tab

  • Paul Neumann

    February 8, 2014 at 1:00 am in reply to: Premiere for keying C100 footage

    I make .looks in Speedgrade for green screen footage and use them in PPro all the time. Just for balance and to push the green background levels. So, I’d start there. I have a preset of Garbage Matte, Ultra and RGB Curves that is my “go to” set up. I put the .look on first and then add those three. Season to taste. I’ve even put the .look downstream from the keyer and it still worked fine.

  • Paul Neumann

    February 3, 2014 at 3:46 pm in reply to: Speeding up Premiere: when the bottleneck is disk I/O

    Worth a shot but make sure you don’t have your scopes open. Horrible playback in CS6 with them open.

  • Paul Neumann

    February 3, 2014 at 3:33 pm in reply to: Sequence sorting question

    You can add Date Created and Date Modified fields through the Metadata Display for all the bins in a project, but I’m pretty sure they only show info for clips. So you can’t sort Sequences using that method.

    You can create your subclips in Prelude, sort them by Date Created, make a roughcut for each clip that when sent to PPro will come in as a Sequence.

  • Paul Neumann

    February 2, 2014 at 11:07 pm in reply to: Edit all closed captions at once?

    Yeah, I saw “spanish” and immediately thought subtitles. Captioning is a whole different beast.

  • Paul Neumann

    February 2, 2014 at 8:57 pm in reply to: Edit all closed captions at once?

    I saw a tutorial not too long ago on how to take .txt files into indesign then apply a style to them and export them to PPro. Not terribly complicated, but very useful.

  • Glad to see you have a solution. I sync DSLR shoots all the time inside PPro using Synchronize and audio. I create multicam clips from interviews shot with 2 or 3 cameras and a separate source audio recorder pretty regularly. Select the clips in the bin and select Creative Multicam Sequence, choose audio as the sync method and everything comes out good.

  • So was that even close to what you were looking for?

Page 51 of 82

We use anonymous cookies to give you the best experience we can.
Our Privacy policy | GDPR Policy