Forum Replies Created

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  • Paul Neumann

    December 7, 2014 at 1:33 am in reply to: PP will not import entire clip

    What does the clip do in other Adobe apps? Import it into AE, Sg and Pl and see what happens.

  • Paul Neumann

    December 5, 2014 at 5:14 am in reply to: MultiCam refusing to synch up. What am I doing wrong?

    Start by right clicking on the MC clip in the Project Bin and select Open In Timeline. Have a look and see what is and isn’t lining up.

  • Paul Neumann

    November 26, 2014 at 4:12 pm in reply to: Splitting stereo tracks to dual mono in timeline

    From the timeline you could duplicate the track and put a Fill Left with Right and a Fill Right with Left effect on the clips. Seems kinda daunting but you can duplicate multiple clips at once and apply the effect to multiple clips as well.

    Yeah, dual mono from stereo needs to be changed at the clip level before they get to the timeline.

  • Paul Neumann

    November 24, 2014 at 4:38 pm in reply to: Trouble down-scaling 4K to 1080

    Use a 4k sequence and change the resolution on your Program Monitor. Should be fine.

  • Paul Neumann

    November 20, 2014 at 4:56 am in reply to: Confusion about – render using preview?
  • Paul Neumann

    November 20, 2014 at 3:20 am in reply to: Confusion about – render using preview?

    By default PPro renders previews to I-Frame MPEG but it outputs whatever you choose. However, you can set up a custom sequence to render previews to another codec if you choose. So say your footage is ProRes 422 and you’re going to output ProRes 422. You could set up your sequence to render previews to ProRes 422 and that way if you check the “Use Previews” when you output those frames will be used in your output thus saving time since the frames are already cached and consistent in the workflow. I don’t mess with that Maximum Render quality thing. The time and place to use it escapes me.

    If you need to work in a lowrez environment on your timeline just select a different resolution on your Program Monitor. It’s like built in Proxy mode. I’ve been editing 5k R3D at 1/8 resolution with no problems at all on a 2013 Macbook Pro.

  • Paul Neumann

    November 19, 2014 at 6:38 pm in reply to: Changing number of audio tracks of a sequence

    Yeah, so you want a new sequence with Multichannel audio. Transferring the Chapter Markers…not sure if that can be done.

  • Paul Neumann

    November 19, 2014 at 5:37 pm in reply to: Changing number of audio tracks of a sequence

    Have you tried just moving an audio clip down to below the last track in the stack? That will automatically add a track.

  • Paul Neumann

    November 19, 2014 at 3:31 pm in reply to: Premiere Pro and music vs Final Cut Pro X and iTunes

    [Kevin Monahan] “which I think is pretty cool (and not very well known”

    You got that right. FCPX has paid for itself with just the sound effects I’ve gotten out of it. I drag things from all sorts of different programs into the Adobe apps and more times than not it works fine. Like Power Point to InDesign or Illustrator to Power Point. So much so that I’m a little surprised when it doesn’t.

  • Paul Neumann

    November 19, 2014 at 3:23 pm in reply to: WANTED: Turn off all filters

    No. Just right click and select Adjustment Layer. It will retain the effects. It keeps the name so that part can seem deceiving. Pretty handy. Rather than dragging out a bunch of Adjustment Layers to fit each clip you can just do the copy and change thing really quick.

    Other cool uses for this function too, though some have been rendered a little obsolete by the new mask tools that accompany every effect now.

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