Forum Replies Created

Page 348 of 428
  • Michael Phillips

    April 29, 2009 at 5:16 pm in reply to: Poll: Mac or PC

    I use both all the time. My notebook is a Mac and my desktop system is a PC.

    Michael

    Michael Phillips

  • Michael Phillips

    April 25, 2009 at 3:28 am in reply to: Digitzing into 23.98 AVID project

    Are you prelogging? Capturing on the fly? What are your 24p/Film settings set to?

    Michael

    Michael Phillips

  • Michael Phillips

    April 18, 2009 at 12:39 pm in reply to: New MacPro and REDRushes

    There was some extensive testing and timing done with results posted here:

    https://michaelkammes.com/column/?p=143

    Michael

    Michael Phillips

  • Michael Phillips

    April 16, 2009 at 12:21 am in reply to: Best export setting for HD and Blue Ray DVD

    Toast can take two files – I think they have to have the same name and be of a particular format. Check the help for exact steps.

    Michael

    Michael Phillips

  • v3.5 of Media Composer supports timecode from QT import if that helps.

    Michael

    Michael Phillips

  • Michael Phillips

    April 12, 2009 at 6:19 pm in reply to: quicktime export

    I usually export a QT reference to Sorenson, set levels to be 16-235 and encode. AS TC points out, many encoders ecpect RGB levels to be 0-255. If that is the case, select RGB when exporting QT ref from Media Composer.

    Michael

    Michael Phillips

  • Michael Phillips

    April 9, 2009 at 8:24 pm in reply to: Tape Logging Software

    Seems like you are describing MediaLog. Comes with the MC installer and is dongle free. Export ALE files for FCP, or TAB for a database like FileMaker Pro.

    Michael

    Michael Phillips

  • Michael Phillips

    April 4, 2009 at 2:13 pm in reply to: Red to Avid Workflow

    Media Composer since v1.x support DNxHD resolutions. I would suggest the offline be done at 1080p/23.976 at DNxHD 36. A transcode will need to take place at some point in the dailies process – some customers are seeing 3x longer than real time when on an 8 core Mac from 1/2 debayer which is just fine for offline.

    MetaFuze eliminates the QT wrapped DNxHD state and the additional fast import into Media Composer. It is not the fastest transcode at this time due to some limitations that exist in the current version of the SDK. This will be improved in the next version.

    14:1 is pretty much the standard SD resolution used by all features that do not cut in HD. Seeing as he has a Mojo, there is no advantage to DV 25 other than using up 2x more storage and is not as efficient a codec performance wise. 14:1 is not an “m” resolution and is still used today on all latest versions.

    The only consideration is HD Monitoring – the Mojo (non DX version) will do a basic job of monitoring in SD, but is not a true down convert. He can always go full screen over DVI to see HD.

    Michael

    Michael Phillips

  • Michael Phillips

    April 4, 2009 at 1:26 am in reply to: Red to Avid Workflow

    Ouch – You can certainly work in SD, but I would suggest 14:1 and not DV25. You will need to use M

  • There are specific Avid provided uninstallers in the applications folder. It is called “Avid_Uninstallers” Use all of them, even if you never think you installed all of the them in the first place and try again.

    Michael

    Michael Phillips

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