Forum Replies Created

Page 347 of 428
  • Michael Phillips

    May 16, 2009 at 3:49 am in reply to: Digitize 1080i/59.94 HDCam

    What do you mean it lost frames? You are capturing a 1080i tape into a 1080i prokject amd you are losing frames?

    Michael

    Michael Phillips

  • Michael Phillips

    May 15, 2009 at 11:49 pm in reply to: Digitize 1080i/59.94 HDCam

    If you want to edit in NTSC 23,976, just do a dowm convert and log timecodes ending in 0 and 5. Set pulldown csdence to NORMAL/STANDARD (2:3:2:3) and capture away.

    Media Composer does not remove pulldown in HD like it does for SD.

    Michael

    Michael Phillips

  • Michael Phillips

    May 14, 2009 at 11:20 pm in reply to: editing SD and HD together

    Select timeline and do a transcoded to the DNxHD format of your choice. Once all media is HD, you can output to your master tape.

    Michael

    Michael Phillips

  • Michael Phillips

    May 14, 2009 at 11:19 pm in reply to: XDcam EX to AVID Xpress Pro Mojo SDI on a PC

    For $400 you would be better off upgrading to MC 3.5 with native support directly to the EX1 structure..

    You are running into a codec issue, an upgrade to 3.0 would get you native codec support using clip broswer, v3.5 would eliminate the clip browswer step.

    Michael

    Michael Phillips

  • Make sure you have the proper settings in the Film/24p settings in your NTSC 23.976 project:

    Cadence: ADVANCED or NORMAL (based on what was shot)
    01:00:00:00 relationship set to “A”

    Michael

    Michael Phillips

  • Michael Phillips

    May 12, 2009 at 11:48 pm in reply to: project settings

    The still could be done in any project type, but the piece of video will be the one that drives the final decision. Progressive would be better considering your viewing path.

    Michael

    Michael Phillips

  • Michael Phillips

    May 8, 2009 at 7:53 pm in reply to: AAF Export 59.94

    Could be semantics – 29.97 is the frame rate wheras 59.94 is the field rate unless you are in 720p…

    Michael

    Michael Phillips

  • Michael Phillips

    May 8, 2009 at 7:51 pm in reply to: difference in file size on capture

    DV25 is a compressed format around 5:1. 1:1 is uncompressed, thus the ~5x difference in file size.

    Michael

    Michael Phillips

  • Michael Phillips

    May 8, 2009 at 7:50 pm in reply to: Capture Telecine Footage

    The Avid User Guide goes into pretty good detail about PAL and NTSC film project set up and capture. Have you looked there yet?

    Michael

    Michael Phillips

  • Michael Phillips

    May 7, 2009 at 4:41 pm in reply to: Avid Rendering on the fly stopped

    That is the behavior for Adrenaline hardware based systems as far as green/green etc. for real time playback.

    Michael

    Michael Phillips

Page 347 of 428

We use anonymous cookies to give you the best experience we can.
Our Privacy policy | GDPR Policy