Forum Replies Created

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  • Relink and “relink to selected” rely on having the same source and timecode. Since the source is in two different places, it cannot do it, even with a “relink to selected” Relink to selected works great in situations where you have two sets of the same media (offline and online for example) and you want to force the sequence to one set versus the other.

    The ability to relink between SOURCE FILE (AMA) and Tape will be addressed in a future release.

    Michael

    Michael Phillips

  • You cannot relink via AMA to sources that are referenced via TAPE. When using REDCINE X to make dailies, it references the filename in the TAPE whereas AMA uses SOURCE FILE. You cannot relink/conform across two different fields. Once you start in REDCINE, finish with REDCINE. If you start in AMA, you can finish with AMA.

    Michael

    Michael Phillips

  • You can simply export an EDL into REDCINE X as a pull list, transcode only the events you need + handles to DNxHD of your choice. Import sources back into Media Composer, and “relink to selected.”

    You can see a video demo of this here:
    https://tinyurl.com/29ue8mm

    Start watching about halfway through It shows you how to do a selects of clips, export EDL, import REDCINE X, etc.

    Michael

    Michael Phillips

  • Michael Phillips

    August 22, 2011 at 3:11 pm in reply to: Moving Xpress Pro from PC to Mac

    Recent dongles can move from PC to Mac as long as you are running the same version of the product. You can certainly open older versions of projects on newer versions of the application.

    I do reserve the right to be wrong for older versions of Xpress Pro – there may have been differentiation at that time.

    Michael

    Michael Phillips

  • Michael Phillips

    August 20, 2011 at 10:38 pm in reply to: Export a quicktime in avid

    What codec are you using in Media Composer? Were you using AMA? These things will prevent you from using “same as source”. What type of codec do you want to create on the export? QuickTime is just a wrapper, so it can be H.264, JPEG, Animation, ProRes, etc.

    Michael

    Michael Phillips

  • Michael Phillips

    August 17, 2011 at 11:11 pm in reply to: Support for AVC-intra 100 24pN???

    The project type would be 1080p/23.976/

    Michael

    Michael Phillips

  • Since there is no timecode on the tape, have you tried turning off the timecode track in the capture window and just capturing on the fly? For long captures, make sure your setting is set for anticipated length of capture (30 mins, 60 mins, etc).

    Michael

    Michael Phillips

  • Michael Phillips

    August 16, 2011 at 1:43 am in reply to: What kind of hard drive?

    I out an extra 2 x 2TB drives striped for speed for a total of 4TB in those slots.

    Michael

    Michael Phillips

  • Michael Phillips

    August 15, 2011 at 1:23 pm in reply to: how to add(import) media from the avidmediafiles

    Are the folders in the Avid MediaFiles/MXF folder? Are they numbered 1, 2, or have other names?

    Michael

    Michael Phillips

  • Michael Phillips

    August 11, 2011 at 4:43 pm in reply to: How to get FCP bins into Avid?

    Actually…. if you really think hard enough, you see the finished piece in your head and there is no need to edit at all. 🙂

    Michael

    Michael Phillips

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