[Mathieu Marano]

If you select a clip in the BIN, try to go to TOOLS-remove advanced pulldown. This could do it if the L&T didn’t. See if it is accessible and if it removes the pulldown. You clip should then be listed as 23.98…if it was shot in 24p.

Mathieu Marano
online editor – motion graphics – Post-prod director
Directeur technique de post-production
Le Bureau de post production

Administrator of the Montreal Final Cut User Group
http://www.finalcutmtl.org

[Mathieu Marano]

Well, there are several “ingredients” to ass to your footage to make it look like 8mm.

First, you can use a stobe effect so that it looks like it has less frame per seconds

Than you can bring it in Color to desaturate and colirize or use a filter like Nattress Film effects with the “Old projector” preset or Magic Bullet LOOKS.

You can also add film burn and flare effects by compositing film burns for footage banks like those:
https://www.artbeats.com/collections/160?page=4

Mathieu Marano
online editor – motion graphics – Post-prod director
Directeur technique de post-production
Le Bureau de post production

Administrator of the Montreal Final Cut User Group
http://www.finalcutmtl.org

[Mathieu Marano]

First, you’ll have to make a QT movie out of the DPX sequence. You can use Glutools or the DPXtoQuicktime tool that is free from AJA. It can make a standalone clip or a Quicktime reference movie (smaller). To make DV offline clips from them, you can use Compressor. If you want to add timecode, you can une Episode Pro which has the TCBI function for that purpose. Otherwise, you can lay you DPX quicktime in a DV sequence in FCP, add a Timecode Reader filter to it and then export with Compressor, Batch Export or Quicktime Movie.

Mathieu Marano
online editor – motion graphics – Post-prod director
Directeur technique de post-production
Le Bureau de post production

Administrator of the Montreal Final Cut User Group
http://www.finalcutmtl.org

[Mathieu Marano]

Seems like I can’t find files used in Quicktime reference movies. Look at your scratch and render disk location. AJA upgrades often mess with the FCP preferences.

Mathieu Marano
online editor – motion graphics – Post-prod director
Directeur technique de post-production
Le Bureau de post production

Administrator of the Montreal Final Cut User Group
http://www.finalcutmtl.org

[Mathieu Marano]

BTW…you’ll want to have a look at this:

https://phobos.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?i=26106294&id=145112402

Mathieu Marano
online editor – motion graphics – Post-prod director
Directeur technique de post-production
Le Bureau de post production

Administrator of the Montreal Final Cut User Group
http://www.finalcutmtl.org

[Mathieu Marano]

Yes it does. The red LED flashes and I have access to the 1D LUT thru the HDLink Utility. But I can’t gat the signal through like I do with the HDLink Pro .

Mathieu Marano
online editor – motion graphics – Post-prod director
Directeur technique de post-production
Le Bureau de post production

Administrator of the Montreal Final Cut User Group
http://www.finalcutmtl.org

[Mathieu Marano]

It does that with a Kona 3 and a DVS Centaur.

Mathieu Marano
online editor – motion graphics – Post-prod director
Directeur technique de post-production
Le Bureau de post production

Administrator of the Montreal Final Cut User Group
http://www.finalcutmtl.org

[Mathieu Marano]

I’ve been working with the high rez matte for 2 month now and I love it. I have a glossy iMac at work and I find it is very annoying. If you plan to work outside or in cafes with your laptop, better go with the matte, you’ll save yourself some glare blocking time.

Mathieu Marano
online editor – motion graphics – Post-prod director
Directeur technique de post-production
Le Bureau de post production

Administrator of the Montreal Final Cut User Group
http://www.finalcutmtl.org

[Mathieu Marano]

Here is a link to a tutorial on the Autodesk website showing THE WAY to send your project to FLAME and SMOKE:

https://download.autodesk.com/us/smoke_training/Smoke2007x1_AdvancedConform/index.html

Mathieu Marano
online editor – motion graphics – Post-prod director
Directeur technique de post-production
Le Bureau de post production

Administrator of the Montreal Final Cut User Group
http://www.finalcutmtl.org

[Mathieu Marano]

It already has RED support. You can play REDCODE and you now have a plugin for Log and Import on the RED website

Mathieu Marano
online editor – motion graphics – Post-prod director
Directeur technique de post-production
Le Bureau de post production

Administrator of the Montreal Final Cut User Group
http://www.finalcutmtl.org