Forum Replies Created
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Yes but I would be missing the point of doing an offline editing. If I have to redo the job in the Flame. This is a major problem that should be look after. I’m fighting with project managers who want to offline on AVID because of somewhat basic but important issues like that.
I’m a diehard FCP user but I also know that Avid MC would do that without a glitch.
Mathieu Marano
online editor – motion graphics – Post-prod director
Directeur technique de post-production
Le Bureau de post productionAdministrator of the Montreal Final Cut User Group
http://www.finalcutmtl.org -
I found an online calculator to convert film footage length to time at Kodak:
https://www.kodak.com/US/en/motion/support/index.jhtml%20
and here is a great page resource page for all the “by hand” maths:
https://www.kodak.com/US/en/motion/support/index.jhtml%20Mathieu Marano
online editor – motion graphics – Post-prod director
Directeur technique de post-production
Le Bureau de post productionAdministrator of the Montreal Final Cut User Group
http://www.finalcutmtl.org -
be sure everything is synched together.
Mathieu Marano
online editor – motion graphics – Post-prod director
Directeur technique de post-production
Le Bureau de post productionAdministrator of the Montreal Final Cut User Group
http://www.finalcutmtl.org -
So you can add a LETTERBOX filter to the sequence and remove it after. Or you can by an aspect ration converter like a Pico Link by Miranda:
https://www.miranda.com/family_overview.php?f=11&l=1&page=prod_listIf you cut to the beat, make sure that the audio and video are out of the same source. If you look at the reference monitor, make sure that the audio doesn’t come out of the Mac output but out of you DV deck ou video interface like the video you reference to.
Mathieu Marano
online editor – motion graphics – Post-prod director
Directeur technique de post-production
Le Bureau de post productionAdministrator of the Montreal Final Cut User Group
http://www.finalcutmtl.org -
I called Kathy at AJA and she helped me disconnect the cables and offered to send me a new k3box the next day. AJA always gives great support.
Mathieu Marano
online editor – motion graphics – Post-prod director
Directeur technique de post-production
Le Bureau de post productionAdministrator of the Montreal Final Cut User Group
http://www.finalcutmtl.org -
I have the same problem. I plugged the male XLR connectors of my ADA4 in my new K3box and all 4 connectors are stuck. Got any luck or trick?
Mathieu Marano
online editor – motion graphics – Post-prod director
Directeur technique de post-production
Le Bureau de post productionAdministrator of the Montreal Final Cut User Group
http://www.finalcutmtl.org -
You can do an HD DVD authoring with DVD Studio Pro but you should post this in the DVDSP forum.
Mathieu Marano
online editor – motion graphics – Post-prod director
Directeur technique de post-production
Le Bureau de post productionAdministrator of the Montreal Final Cut User Group
http://www.finalcutmtl.org -
I don’t think so but you could do it in Compressor with the same result. The QT filters acan put a fade in and fade out to you clips.
Mathieu Marano
online editor – motion graphics – Post-prod director
Directeur technique de post-production
Le Bureau de post productionAdministrator of the Montreal Final Cut User Group
http://www.finalcutmtl.org -
I just did 150 hours of DVCPRO HD 1080i ingest with a Macbook (not pro) on firewire 400 MyBook drives and it worked fine so I guess editing ProRes or HDV on a new Macbook Pro with a G-RAID or G-DRIVE in SATA wouldn’t be a problem at all.
Mathieu Marano
online editor – motion graphics – Post-prod director
Directeur technique de post-production
Le Bureau de post productionAdministrator of the Montreal Final Cut User Group
http://www.finalcutmtl.org -
There is the 26 inch NEC display
https://www.necdisplay.com/Products/Product/?product=1713e080-c8e3-4aab-9447-73dacb301b84which is the same as the LaCie but 1000$ less
there is also EIZO
cg241w
https://www.eizo.com/products/graphics/cg241w/index.aspwhich is the one shipping with Lustre, Smoke and Flame stations
Mathieu Marano
online editor – motion graphics – Post-prod director
Directeur technique de post-production
Le Bureau de post productionAdministrator of the Montreal Final Cut User Group
http://www.finalcutmtl.org