Forum Replies Created

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  • Ann is right, I completely agree.

    System:
    Dell Precision T7600 (x2)
    Win 7 64-bit
    32GB RAM
    Adobe CC 2017.1 (as of 8/2017)
    256GB SSD system drive
    4 internal media drives RAID 5
    Typically cutting short form from UHD MP4, HD MP4, and HD P2 MXF.

  • Ahh, CC 2018.

    Best bet may be to take your lumetri footage without supers or anything else, render to a lossless intermediate to “bake in” the color correct, then use the intermediate in your edit and add your lower third elements problem-free.

    System:
    Dell Precision T7600 (x2)
    Win 7 64-bit
    32GB RAM
    Adobe CC 2017.1 (as of 8/2017)
    256GB SSD system drive
    4 internal media drives RAID 5
    Typically cutting short form from UHD MP4, HD MP4, and HD P2 MXF.

  • Jon Doughtie

    July 17, 2018 at 2:01 pm in reply to: 3:4 aspect ratio to 16:9?

    You basically have only two options – blow the footage up on a 16:9 timeline, or crop/letterbox on a 4:3 timeline.

    There is a third option, but it involves distortion as well. That is a process that holds most of the image center as-is, but gradually adds stretch to the sides to fill out to a 16:9 aspect ratio. It will still introduce a “funhouse mirror” kind of look that can’t be avoided. Not ture how you would do it in PPro or AE, as it is not a process I use.

    System:
    Dell Precision T7600 (x2)
    Win 7 64-bit
    32GB RAM
    Adobe CC 2017.1 (as of 8/2017)
    256GB SSD system drive
    4 internal media drives RAID 5
    Typically cutting short form from UHD MP4, HD MP4, and HD P2 MXF.

  • Looking at CC 2017, if you right-click the footage in the timeline, you’ll see “Field Options” on the context-sensitive menu.

    From within there, you have the option of “reverse field dominance” (not your answer here), and option for no processing, always de-interlace, and flicker removal. You should experiment with these and see what gives you best results.

    Ultimately it usually boils down to using only one field (lower resolution) or combining both fields (reduced frame rate.).

    System:
    Dell Precision T7600 (x2)
    Win 7 64-bit
    32GB RAM
    Adobe CC 2017.1 (as of 8/2017)
    256GB SSD system drive
    4 internal media drives RAID 5
    Typically cutting short form from UHD MP4, HD MP4, and HD P2 MXF.

  • Jon Doughtie

    July 9, 2018 at 7:57 pm in reply to: TIFF Sequence in Premiere pro slow

    What Dave said. Certainly keep your original TIFF sequences. But also convert them into video clips using Media Encoder. Use the video clips for editing in Premiere Pro. Things will work much better.

    System:
    Dell Precision T7600 (x2)
    Win 7 64-bit
    32GB RAM
    Adobe CC 2017.1 (as of 8/2017)
    256GB SSD system drive
    4 internal media drives RAID 5
    Typically cutting short form from UHD MP4, HD MP4, and HD P2 MXF.

  • Seconding Al. In our shop, CC2018 is a “nope”. We routinely stay behind one version, and let other poor souls be the beta testers.

    System:
    Dell Precision T7600 (x2)
    Win 7 64-bit
    32GB RAM
    Adobe CC 2017.1 (as of 8/2017)
    256GB SSD system drive
    4 internal media drives RAID 5
    Typically cutting short form from UHD MP4, HD MP4, and HD P2 MXF.

  • Where are original footage/proxies stored? What version of Premiere Pro? What OS?

    System:
    Dell Precision T7600 (x2)
    Win 7 64-bit
    32GB RAM
    Adobe CC 2017.1 (as of 8/2017)
    256GB SSD system drive
    4 internal media drives RAID 5
    Typically cutting short form from UHD MP4, HD MP4, and HD P2 MXF.

  • Jon Doughtie

    June 26, 2018 at 2:32 pm in reply to: Black video preview with iGPU

    I can’t speak directly to your iGPU issue, since I am not familiar with iGPU. But I can say the posts are littered with issues with CC 2018. We have deliberately decided to always stay one version back with CC. In our opinion, all users are being used as Beta testers for new releases.

    We just want to get work done.

    System:
    Dell Precision T7600 (x2)
    Win 7 64-bit
    32GB RAM
    Adobe CC 2017.1 (as of 8/2017)
    256GB SSD system drive
    4 internal media drives RAID 5
    Typically cutting short form from UHD MP4, HD MP4, and HD P2 MXF.

  • Also, is that stuff variable frame rate? PPro does not like variable frame rate.

    System:
    Dell Precision T7600 (x2)
    Win 7 64-bit
    32GB RAM
    Adobe CC 2017.1 (as of 8/2017)
    256GB SSD system drive
    4 internal media drives RAID 5
    Typically cutting short form from UHD MP4, HD MP4, and HD P2 MXF.

  • Well, for sure PPro does not like variable frame rate video. So if the video you are editing with has a variable frame rate, it needs to be converted to a fixed frame rate with a tool such as Handbrake.

    I’ve also seen this happen due to a change is sampling rate on the audio in post, but that is less common.

    System:
    Dell Precision T7600 (x2)
    Win 7 64-bit
    32GB RAM
    Adobe CC 2017.1 (as of 8/2017)
    256GB SSD system drive
    4 internal media drives RAID 5
    Typically cutting short form from UHD MP4, HD MP4, and HD P2 MXF.

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