Forum Replies Created

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  • John Pale

    January 23, 2009 at 5:07 pm in reply to: Blurry Live Type text

    Also, beware if your frame size in Live Type does not match your timeline (e.g. 720 x 486 vs. 720 x 480). This will soften your graphics.

  • What is the codec of your sequence?

  • John Pale

    January 22, 2009 at 5:24 pm in reply to: dissolves not real time?

    Whats he using for storage?

  • John Pale

    January 22, 2009 at 4:30 am in reply to: Converting 23.98 to 29.97

    You output to tape (at 29.97) using the Kona and then recapture.

    You can do it in software using Compressor, but the encode time is lengthy.

  • John Pale

    January 22, 2009 at 1:37 am in reply to: FCP aliasing

    Leave it 16:9. All DVD players do letterboxing internally.
    Leave your frame rate 23.98. All DVD players add pulldown where necessary.

    In Compressor, set the resize quality in the Frame Controls to Better or Best.
    Also, for a spot, do your MPEG 2 encoding using CBR (constant bit rate) instead of VBR (which the misleadingly named “best quality” preset uses)

    Use a bit rate of 7. Going any higher on a DVD-R is risky…some DVD players may choke.
    Be sure also to encode your audio to AC-3.

    You’ll probably need to make your own preset for this.

  • John Pale

    January 22, 2009 at 1:06 am in reply to: Avid/XDCAM/FCP Codec

    If you download the latest Avid Codecs, you can use Compressor to convert them to Avid DNX

  • John Pale

    January 22, 2009 at 1:04 am in reply to: Converting 23.98 to 29.97

    If output to tape w/Kona card is not an option, Compressor’s retiming controls in the Frame Controls can do this.

  • John Pale

    January 20, 2009 at 5:28 am in reply to: Media is out of sync only in FCP

    [Christopher Wright] “I do think that the DV codec is busted in the latest version of FCP”

    Don’t take this the wrong way, but don’t you think there would be hundreds of posts complaining about this if the DV codec was broken?

  • John Pale

    January 20, 2009 at 5:24 am in reply to: Capturing footage shot in 16:9

    [Natalie Go] “Do I set the capture settings to anamorphic as well as the project setting?

    Yes.

    [Natalie Go] “OR do i edit it in regular 4:3. “

    No. But your broadcast video monitor must support 16:9, if not your image will appear stretched (but normal in FCP)

    [Natalie Go] “What about the black bars?”
    There should be no black bars if you shot anamorphic and are editing with everything set anamorphic.

    [Natalie Go] “When I watch the DVD on my widescreen television will i see them? “

    No. Not if you have the correct settings all the way through (that means your DVD Player, your widescreen monitor, and your compression settings in Compressor).

  • John Pale

    January 19, 2009 at 8:47 pm in reply to: Final Cut to AVID Meridien workflow?

    Is the old Avid a Mac or a PC?

    Does that version of MC have the setting for PC compatible file names switched on? Are the file names lengthy or do they have odd characters in them?

    Grasping at straws here…if it opens in AE and QT player, it should work in Avid…so its probably something in the Avid thats causing this.

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