Replies – Forums – Jerry Hofmann – Page 103

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Jerry Hofmann
February 27, 2011 at 9:10 pm in reply to: dealing with dark underexposed footage

Might give Color a whirl at this. Better results I’ll wager.

Jerry

Apple Certified Trainer, Producer, Writer, Director Editor, Gun for Hire and other things. I ski. My Blog: https://blogs.creativecow.net/Jerry-Hofmann

Current DVD:
https://store.creativecow.net/p/81/jerry_hofmanns_final_cut_system_setup

8-Core 3.0 Intel Mac Pro, Dual 2 gig G5, AJA Kona SD, AJA Kona 2, Huge Systems Array UL3D, AJA Io HD, 17″ MBP, Matrox MXO2 with MAX – Cinema Displays I have a 22″ that I paid 4k for still working. G4 with Kona SD card, and SCSI card.
Jerry Hofmann
February 27, 2011 at 9:09 pm in reply to: Where are the other Prores version in log and transfer window

Click on the little arrows just to the right of the ProRes 422 setting… LT is there in a pop up.

Jerry

Apple Certified Trainer, Producer, Writer, Director Editor, Gun for Hire and other things. I ski. My Blog: https://blogs.creativecow.net/Jerry-Hofmann

Current DVD:
https://store.creativecow.net/p/81/jerry_hofmanns_final_cut_system_setup

8-Core 3.0 Intel Mac Pro, Dual 2 gig G5, AJA Kona SD, AJA Kona 2, Huge Systems Array UL3D, AJA Io HD, 17″ MBP, Matrox MXO2 with MAX – Cinema Displays I have a 22″ that I paid 4k for still working. G4 with Kona SD card, and SCSI card.
Jerry Hofmann
February 27, 2011 at 8:52 pm in reply to: Pro Res Import

John, you can make any sequence setting you wish. You can type cmd+zero to open a sequence’s settings, then set the frame size and pixel shape (probably square) to match.

You don’t have the same frame sizes there… When you create a new sequence, is this what FCP creates when you click yes to conform the sequence setting to the clip’s properties?

Jerry

Apple Certified Trainer, Producer, Writer, Director Editor, Gun for Hire and other things. I ski. My Blog: https://blogs.creativecow.net/Jerry-Hofmann

Current DVD:
https://store.creativecow.net/p/81/jerry_hofmanns_final_cut_system_setup

8-Core 3.0 Intel Mac Pro, Dual 2 gig G5, AJA Kona SD, AJA Kona 2, Huge Systems Array UL3D, AJA Io HD, 17″ MBP, Matrox MXO2 with MAX – Cinema Displays I have a 22″ that I paid 4k for still working. G4 with Kona SD card, and SCSI card.
Jerry Hofmann
February 27, 2011 at 6:15 pm in reply to: Pro Res Import

You need to match your sequence settings to the source clips’ properties. They don’t match… Create a new sequence, put one of the prores clips in it, and click on the option to match the settings.

Since you can’t really play clips in the Browser, I don’t quite understand the problem, but matching sequence settings has to happen for sure.

Jerry

Apple Certified Trainer, Producer, Writer, Director Editor, Gun for Hire and other things. I ski. My Blog: https://blogs.creativecow.net/Jerry-Hofmann

Current DVD:
https://store.creativecow.net/p/81/jerry_hofmanns_final_cut_system_setup

8-Core 3.0 Intel Mac Pro, Dual 2 gig G5, AJA Kona SD, AJA Kona 2, Huge Systems Array UL3D, AJA Io HD, 17″ MBP, Matrox MXO2 with MAX – Cinema Displays I have a 22″ that I paid 4k for still working. G4 with Kona SD card, and SCSI card.
Jerry Hofmann
February 26, 2011 at 12:09 am in reply to: Final Cut EXPRESS XML Files

Well, files don’t trash themselves… so somehow you’ve managed to do it…

My suggestion is to recapture, and set your files to be saved where you know you won’t be losing them? If you’ve moved them, the app will show them as being offline, you should be able to reconnect to them. Just chose file/reconnect media with the clips that are reported offline selected in the Browser.

Jerry

Apple Certified Trainer, Producer, Writer, Director Editor, Gun for Hire and other things. I ski. My Blog: https://blogs.creativecow.net/Jerry-Hofmann

Current DVD:
https://store.creativecow.net/p/81/jerry_hofmanns_final_cut_system_setup

8-Core 3.0 Intel Mac Pro, Dual 2 gig G5, AJA Kona SD, AJA Kona 2, Huge Systems Array UL3D, AJA Io HD, 17″ MBP, Matrox MXO2 with MAX – Cinema Displays I have a 22″ that I paid 4k for still working. G4 with Kona SD card, and SCSI card.
Jerry Hofmann
February 26, 2011 at 12:03 am in reply to: Unrendered clips in timeline

Select QuickTime as the format, and then select “Apple Intermediate Codec” as the compression setting.

Jerry

Apple Certified Trainer, Producer, Writer, Director Editor, Gun for Hire and other things. I ski. My Blog: https://blogs.creativecow.net/Jerry-Hofmann

Current DVD:
https://store.creativecow.net/p/81/jerry_hofmanns_final_cut_system_setup

8-Core 3.0 Intel Mac Pro, Dual 2 gig G5, AJA Kona SD, AJA Kona 2, Huge Systems Array UL3D, AJA Io HD, 17″ MBP, Matrox MXO2 with MAX – Cinema Displays I have a 22″ that I paid 4k for still working. G4 with Kona SD card, and SCSI card.
Jerry Hofmann
February 25, 2011 at 10:48 pm in reply to: Unrendered clips in timeline

Download MPEG Streamclip (google it, it’s free) then use that application to transcode the footage and keep the size intact. It should be transcoded to the AIC codec to work with Express. Then match the sequence settings to those AIC transcoded files. Sounds like you’ve transcoded your files to DV. (that’s why the file size change).

Jerry

Apple Certified Trainer, Producer, Writer, Director Editor, Gun for Hire and other things. I ski. My Blog: https://blogs.creativecow.net/Jerry-Hofmann

Current DVD:
https://store.creativecow.net/p/81/jerry_hofmanns_final_cut_system_setup

8-Core 3.0 Intel Mac Pro, Dual 2 gig G5, AJA Kona SD, AJA Kona 2, Huge Systems Array UL3D, AJA Io HD, 17″ MBP, Matrox MXO2 with MAX – Cinema Displays I have a 22″ that I paid 4k for still working. G4 with Kona SD card, and SCSI card.
Jerry Hofmann
February 25, 2011 at 6:12 pm in reply to: FCP Batch Export Cuts off End of Clip

I think I’d leave the frame rate alone… edit in 23.98 then export adding pulldown if need be. If you have a capture card, it may be able to add the pulldown during the edit so you can view externally in 29.97 or record to tape in 29.97, all in real time.

Also, if you intend to go to the web or to DVD in the end, there’s no need to edit in 29.97 at all.

Jerry

Apple Certified Trainer, Producer, Writer, Director Editor, Gun for Hire and other things. I ski. My Blog: https://blogs.creativecow.net/Jerry-Hofmann

Current DVD:
https://store.creativecow.net/p/81/jerry_hofmanns_final_cut_system_setup

8-Core 3.0 Intel Mac Pro, Dual 2 gig G5, AJA Kona SD, AJA Kona 2, Huge Systems Array UL3D, AJA Io HD, 17″ MBP, Matrox MXO2 with MAX – Cinema Displays I have a 22″ that I paid 4k for still working. G4 with Kona SD card, and SCSI card.
Jerry Hofmann
February 25, 2011 at 1:38 am in reply to: Slip audio without moving keyframes

I’m afraid not, but you could copy the clip, slip it, then paste attributes from the copy, and do what you want.

Jerry

Apple Certified Trainer, Producer, Writer, Director Editor, Gun for Hire and other things. I ski. My Blog: https://blogs.creativecow.net/Jerry-Hofmann

Current DVD:
https://store.creativecow.net/p/81/jerry_hofmanns_final_cut_system_setup

8-Core 3.0 Intel Mac Pro, Dual 2 gig G5, AJA Kona SD, AJA Kona 2, Huge Systems Array UL3D, AJA Io HD, 17″ MBP, Matrox MXO2 with MAX – Cinema Displays I have a 22″ that I paid 4k for still working. G4 with Kona SD card, and SCSI card.
Jerry Hofmann
February 19, 2011 at 7:33 pm in reply to: FCP Files missing when transfering from Hard Drive

I’ve been told that Media Manager performs a “sum check” copy. Dragging and Dropping in the finder doesn’t. You know anything about this David? I have seen media files make corrupt drag and drop copies myself. The sum check shouldn’t allow this to happen. Unless of course the original file was corrupt.

Jerry

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