Forum Replies Created
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[breezy] “Just got a new Imac G5 and could potentially be using AJ HD 1200A, but I was told that you might need an external PCI card. I am fairly certain the Imac is self contained and cannot receive anything like this. Can I get confirmation on this? Is there any way I am going to be able to use this deck with my machine?”
Since you cannot add an other FW port to the machine and the 1200 deck will take the entire bandwidth for the HD stream – this is a really bad idea. You will not have enough horsepower to handle what you are trying to do.
The iMac is not a machine for HD work.
IMHO this is not a good idea.Gary Adcock
Studio37
HD and Film Consultation
Chicago, IL USA -
[Fine Productions] “Digitized some 24p HD footage from 1200A deck tonigth for first time. Looks great, but 4 tracks are being digitized. I only wnat two tracks. Only recorded two in the field. Any advice?”
the default in FCP 5 is 1 track of video and 4 tracks of audio.
change your FCP settings to get back to 2 tracks.Gary Adcock
Studio37
HD and Film Consultation
Chicago, IL USA -
[David Battistella] “But putting a mixer in between is probably a good idea. Unless you want to be turning your monitors up and down all the time.”
Because of core audio
if you set your computer’s out audio to your Kona board, the keyboard commands to increase and decrease volume should work.But then, there is always the Audio mixer in FCP also.
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Z[Kevin Hedin] “So what are we to expect when AJA decides to update or deliver a new product in the future? Will the old PCI-X customers be left wanting, and only the PCI express customers will get the new goodies? I don’t plan on updating my existing G5 infrustructure anytime soon, but I do want options for SD/HD cards in the future. What’s the product roadmap look like?”
Well Kevin there is not upgrade path for the hardware. Since PCIe and PCIx are not compatible, and the future is PCIe at some point yes the older customers that want to hang on to older systems will be able to do just that, and maybe pick up a few good items on ebay.
As technology moves forward we must also, or you can buy into one of the proprietary systems and go thru this on a regular basis. The current Kona line is fully compatible with your current G5’s and will be as long as you keep them operational. Will they be able to get the most out of a future release of FCP – Not when it goes to intel.
The Roadmap for hardware is set by Apple, not AJA. But I think we can all bne assured that PCIx boards will be available for at the least a couple of years. But I would not expect any manufacturer of Professional Video products to stay behind and survive in this market place.so the short answer is that you are most likely safe until Apple releases the Intel version of the Pro Apps.
then you will have to get new machines to keep up.gary
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[Walter Biscardi] “Full Support for After Effects as far as video display to external monitor. I don’t use Shake so someone else will have to comment on that.”
It’s the same as long as the user understands that Shake does not playout video with rendering the QT Flipbook preview first. It is the nature of a frame based rendering system like Shake uses.
Shake does not do real time rendering on the fly.Gary Adcock
Studio37
HD and Film Consultation
Chicago, IL USA -
[Steve Connor] “What’s the retail price of this card?”
Same as the existing Kona LH card $1790.
From AJA
The KONA LHe is a 4-lane PCIe board to support the new Apple hardware, and is specifically designed for the PowerMac line that has just been announced. These new boards are shipping worldwide October 31 (under two weeks!), and have the same list price as the current KONA LH, $1790 US.Gary Adcock
Studio37
HD and Film Consultation
Chicago, IL USA -
[AJA Sales Department] “I know it’s frustrating when new computers, storage, cards, arrive seemily every month!”
I cannot agree more, the throngs of people on these boards wanting to throw out the old and bring in the new, forget that most pro systems DO NOT need to be constantly updated. I suspect that AJA and other companies have been inundated with return requests for equipment that cannot ever run in the the Dual Core machines ( and may damage both if installed in the incorrect machine).
PCI-X was backwards compatible with earlier PCI bus cards,
PCI-E is not backwards compatible and needs to be treated as a whole new ballgame.
You will not be able to move the older cards to the new machines.Thanks.
Gary Adcock
Studio37
HD and Film Consultation
Chicago, IL USA -
[Clay Walker] “I think that AJA has joined forces with The Kona Bicycle Company & The Kona Coffee and Tea Company https://www.konaworld.com/index.cfm & https://www.konacoffeeandtea.com/ I think they are going to deliver a NLE that has 27 gears and comes in 3 sizes – Tall, Grande & Big… (Not to worry, it will support iPod Video material…)”
DAMN IT CLAY!
ya know it is not good to screw with Ted and the clan by letting the cat out of the bag….
Clark and Rudy are already suiting up and heading your way to take you out for violating your NDA.They are announcing KONA TBC (Kona Tea & Bicycle Company)
So we can get our caffeine, exercise and video all at one time.Gary Adcock
Studio37
HD and Film Consultation
Chicago, IL USA -
Gary Adcock
October 20, 2005 at 2:13 pm in reply to: Why do I still get dropped frames when I play the timeline?[Dave Sullivan] “‘m running FCP 4.5 on a dual 2.5ghz G5 with 4gb of Apple memory. My OS is 10.3.9. Every so often a warning dialog box pops up telling me that frames were dropped during playback”
Dropped frames are almost universally a result of your storage not being fast enough for your video to play back.
Other causes can include, multiple devices on the FW chain, mounted but unused optical disks or hard drives on your system, and other applications robbing system resources.Gary Adcock
Studio37
HD and Film Consultation
Chicago, IL USA -
[Rick Dolishny] “Is it possible to do frame accurate edits with HDV footage and print to tape without rendering?
I’ve heard it’s like working with MPEG2 (well, I guess it is MPEG2 sort of) in that it’s not frame accurate and requires re-encoding when finished. You have to deal with the GOP structure and it limits you.”NO, not as the HDV codec in FCP, and The HDV codec is a variation of Mpeg 2,
the sony HDV format only allows for I frames at the GOP marker or at every 15 frames. So any edit or effect not on a “true” iframe, needs to be re-interpreted by the software so that you can lay it back to tape.Search the threads on this or the HDV forum for more answers.
Gary Adcock
Studio37
HD and Film Consultation
Chicago, IL USA