Eric Johnson
Forum Replies Created
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That’s the one. It also allows you to see what you are selecting if it’s not the top visible track.
eric b johnson
online editor | colorist | workflow
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Upon second reading… also look into “unmix”
eric b johnson
online editor | colorist | workflow
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If you look in the manual RE: remote/local grades, I believe you will find your answer.
Also, look into parallel/layer nodes and the key mixer, pretty sure you can do what you’re trying to do in one node tree.
eric b johnson
online editor | colorist | workflow
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I’m guessing that if v10 & 11 don’t read the latest version of FCPx’s XML, then v9 absolutely won’t.
Did you try v11b2?
eric b johnson
online editor | colorist | workflow
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As long as Resolve interprets the speed changes in the same way then that will work also. I actually read your post to mean you had had bad luck going that route, thus my suggestion.
eric b johnson
online editor | colorist | workflow
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Unless something has changed, Resolve is not able to output Alphas. The COmp’d shots will need to be re-rendered as target files, vs source files, with In/Out set in the Render manager.
eric b johnson
online editor | colorist | workflow
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Easiest way would be to “bake” the speed change in FCPX and edit it back into the timeline.
eric b johnson
online editor | colorist | workflow
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Set it to render out unique clip names.
I believe there is also a way to render clips to individual folders, that would stop the overwriting… can’t remember off the top of my head how to set it though…
eric b johnson
online editor | colorist | workflow
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I have a 2010 12-core on 10.8.5 running the latest non beta Desktop Video with no issues. I’m also running it on a 10.9.4 mac mini that runs Scopebox.
I did have some pretty bad issues with the 1st v10 release, but after the initial incremental update it been fine.
Did the issues start before or after you upgraded your processors?
2010 2.6 12-core MacPro, GTX640, GTX680 4GB, 4k Extreme.
eric b johnson
online editor | colorist | workflow
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I think the only way to do that would be to add the LUT at the end of each Node tree… and disable the Output LUT…
eric b johnson
online editor | colorist | workflow
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