Dave Williams
Forum Replies Created
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Are you referencing under “Timeline Conform Options” the 1.Assist using reel numbers from the
And which has been with your experience the best option to use.
Either “Media folder name” or “Embedding in source clip name”?
Thanks for all your help I am narrowing in on a solution. -
I sent the logs in a zip file your attention
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I talked to Mark today and he told me to do the same thing but I am not quite sure how I do the capture thing?? Could you give me a little more detail?? I will tell you this that after I posted that I found out that my Cache was turned on and set to “All” when I turned it off the problem went away. I emptied the cache file and started again and whenever I turn on the Cache to “All” it comes back. It does however not have a problem when the files are rendered out.
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Well I am in the process of doing a complete install of my system because of no time machine ( I had hoped to get another drive this week now I pay the price ) As a friend of mine told me today do not upgrade your system till its been out a few weeks and read the forums before you do. My system is down all because I updated to 10.6.8 I have never said a bad word about Apple but I did today, I am sorry Steve Jobs……You gave me the tools to back myself up and I preach to my kids all the time about hooking up time machine and always backing yourself up, I should listen to my won sermons!!
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yes
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For what its worth I went back and looked at the mxf files I rendered to and under info they are listed as kind: Document and they play fine. I then found a sony p2 file on the net and it would not open in resolve but it was listed as kind: unix executable file. Don’t know if this helps but I think a call to Black Magic is in order here to clarify.
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I have the DNXxHD MXF update installed and have rendered out using it and have brought those files back in to check and they work great. The question is are the Sony f3 original files the same? I have yet to get my hands on any camera originals to check??
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Thank you for the response, it now seems to make sense to me. I think the problem with Resolve is that its so simple sometimes I am looking for something that they have already taken care of.
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First import them with no luts applied and then play with the lut settings. If you have quicktime 7 open that and point to your dpx sequence and tell it to open as an image sequence and see what they look like there just to make sure they actually do have an image.
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Ok, still a little confused here. I have researched on the net and cannot find any native files from the sony f3 to play with and I am not even sure what format is considered “raw” out of that camera. If your saying they are MXF files which is what Avid uses then I purchased the Avid disk with the resolve I have and I have rendered out MXF DNX files and then brought them back into resolve and that worked. Would this be the same as the sony f3?