Craig Harris
Forum Replies Created
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I’m not working with a 4:3 project.
I am wanting to stylize a couple of shots to appear as 4:3. That’s why the need for a 4:3 layover mask that will act like a crop.I just don’t know how to create the mask file correctly.
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I am in love with Resolve!
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I just spoke with Panasonic and they said it will work with models up to series 12. He said they won’t work with the newest series 20 models.
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Important to note that those cards are limited to 422 color space and won’t support 1080 60p/50p.
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What does it mean when you get a BIG RED ‘X’ on your clips in the timline / conform?
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Thanks!
I understand how to do that part but am not sure how to carry it over to DaVinci with transparency.Would I save it as a TIFF and then convert it to a DPX?
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I agree.
Although I can’t afford the panel yet, my plan is to invest in one for my company.Asking a question about how realistic the price of a DaVinci panel is like asking how realistic the price for a Porsche or Ferreri is. Can you get from point A to point B with other vehicles? Yes. But not as fast and in with as much style.
You get what you pay for.
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16 Bit is better than 10 Bit, but the human eye won’t see much of a difference between the two.
You should always export to 16 Bit when your files are going to a VFX house. That is where 16Bit is much better.
Hope that helps.
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Kim,
You must be smoking something that affects your logic.
DaVinci Resolve is much better than Apple Color with a more intuitive interface and is way faster to use. Resolve is also a lot easier and less cluttered than Apple Color.You will find DaVinci Resolve in the majority of high end color houses… Apple Color, not so much.
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I was able to play a 29.97 fps timeline, but when I tried to export dailies it would only let me render out at 23.98 or 25. Also, the timecode would only read up to 24 fps.
Will this be fixed soon?