Forum Replies Created

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  • Bret Williams

    February 23, 2007 at 10:11 pm in reply to: P2 Import from firestore

    P2 doesn’t create REAL media. Its the import process in FCP that combines the P2 meta/xml stuff into qt media.

  • Bret Williams

    February 21, 2007 at 8:05 pm in reply to: FCP editing for CD

    Do you mean DVDs?

  • Bret Williams

    February 21, 2007 at 8:04 pm in reply to: Timecode DVD from P2 footage workflow

    [FargoRoss] “So if it is intensive for the processor to decode DVC Pro then re-encode it, my thought would then be to have Final Cut Pro convert the DVCPro 50 files from the P2 card directly to Uncompressed 8-bit SD.
    In the end, we want to edit in uncompressed anyways.”

    I don’t think it’s very intensive. Heck, it can decompress it, add the TC reader, then recompress it in real time to send it out as you’re doing. But just copying the file to another file would take 20 minutes or so. AND you do have to compress it to one single DVCProHD file either to export via compressor or to export a reference movie. A reference movie can only reference video files on the drive. Not real time effects.

    I’ve found that exporting a reference movie, THEN opening compressor is much quicker. Or the same goes with iDVD, DVDSP, or Toast.

  • Bret Williams

    February 21, 2007 at 7:48 pm in reply to: How many hard drives for FCP in a MDD G4?

    I’ve run at least 3. The ATA 66 is fine, but check on the maximum drive size limits. Might be 128, might be 180, might be 250. Don’t know. In my experience, the more drives you throw at it, the hotter it gets in there. It’ll hold 4, but you might shorten their lifespan.

  • What do you mean it “won’t” let you? Are you trying to drag the timeline from the right monitor to the left monitor and it just stops? I’ve got a 20″ acer and a 20″ Cinema running on a quad 2.0 mac pro and it could care less where I put any of the FCP windows and/or what size I make them.

    I simply picked up the timeline and moved it from my right monitor to my left, then dragged out the bottom right corner to make it go across both monitors. No magic. Can you not do that? What happens?

  • Bret Williams

    February 21, 2007 at 6:06 am in reply to: fcp won’t see firewire

    Make sure you’ve run the latest updates to Tiger, Quicktime, and FCP through Software Update. Sounds like a QT versioning compatibility issue. Somewhere between QT, FCP, and the OS.

    You can also press ctrl+Q and choose NTSC DV to make sure all your settings are in order.

  • Bret Williams

    February 20, 2007 at 12:13 am in reply to: best capture setting dvcpro+firewire

    What DVCPro setting. From what I can see, there isn’t one. Unless you’re PAL.

    Press ctrl+Q. Choose DV-NTSC. Where are you seeing a DVCPro setting?

  • Bret Williams

    February 19, 2007 at 10:24 pm in reply to: FCP HD Studio and FCP HD 4.5 the same no?

    My bad. Memory fails me I guess. That was sooooo long ago. No more 4.5 questions. 😛

  • Bret Williams

    February 19, 2007 at 10:19 pm in reply to: Working with HD in FCP5

    Yeah. I’ve used them before. They’re square pixel and FCP will treat them as such. Just drop them in the timeline of any project and scale or crop to your likiing. You’ll have to render, so if you can get by with the slow refrresh while trying to work with them, go for it. Or you could nest them and render them in the nest to make them easier to work with.

  • Bret Williams

    February 19, 2007 at 8:30 am in reply to: how to get old film effect?

    If you’re using QT Pro you can do it right in quicktime with the sepia and film grain film scratches.

    But even better, if you’ve got FCP on your system you can use plugins like Aged Film LE.

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