Forum Replies Created

Page 1 of 11
  • Bob Roberts

    June 2, 2010 at 2:24 pm in reply to: Panavision Anamorphic Lens Adapter

    Item has been relisted with photo example – https://item.ebay.com/180515604930

  • Bob Roberts

    March 14, 2010 at 1:06 pm in reply to: Canon T2i/550D HDMI Output

    Hey Noah, I read it a bit differently. My understanding is that, as long as you’re not recording to camera, LiveView can be used for full HDMI out (…to a recording device). The limitation seems to be in the information (i.e. black bars, recording dot, focus box) that is present on the HD output. Such a thing would seem tantalizingly “hackable.”

  • Bob Roberts

    November 14, 2009 at 4:35 pm in reply to: Upgrade to final cut 7

    I’ve been using FCP 7 for the last couple of weeks on a reality series and this is the first time I think I may upgrade my personal machine before a “dot.zero.point.one” patch release. Smooth sailing (…knock on wood).

  • Bob Roberts

    August 25, 2009 at 2:29 pm in reply to: “Grand Central Dispatch” & FCP?

    I dig what you’re saying, but what you’re saying is absolute crap.

    Anything I know about Snow Leopard is from what I’ve read on the Apple website. What Apple decides to put on their own website is completely arbitrary. There is no logic in not being able to answer a question that Apple simply neglected to include in their massive advertising campaign.

    I understand that the situation “is what it is,” but just pointing out that said situation is completely mindless.

  • Bob Roberts

    July 14, 2009 at 6:15 pm in reply to: Footage off Canon 5D Mark II not smooth

    Try transcoding the 5D’s H.264 file to either ProRes or DVCProHD.

  • Bob Roberts

    April 2, 2009 at 6:39 pm in reply to: Timecode not in OMF export from Final Cut?

    That sounds really bizarre. I’ve sent countless hours of broadcast material to post houses all over the world and I have NEVER-EVER had a timecode problem mixing source audio and imported audio.

    Try checking your output with Soundtrack as it can import OMF and sync to a Quicktime reference video.

    p.s. In your FCP timeline, make sure all “invisible/hidden” clips are truly deleted…and not simply “CTRL-B”.

  • Bob Roberts

    March 21, 2009 at 2:43 am in reply to: multiclip editing colour correction

    1) Bring the multiclip up in the viewer window
    2) In the little pulldown that is the farthest right above the image, check SHOW SOURCE ANGLE EFFECTS

    This will show your color corrected footage in your multiclip.

  • Bob Roberts

    May 16, 2008 at 5:32 pm in reply to: importing an OMF into FCP

    WOW!!! This is the first time I’ve ever opened Soundtrack. Thanks for the info 🙂

  • Bob Roberts

    May 10, 2008 at 10:06 pm in reply to: NTSC Monitoring on Macbook Pro

    re: IO…Look for used. I found one on eBay for $650!!!

  • Bob Roberts

    April 25, 2008 at 10:18 pm in reply to: XDCAM HD / FCP transfer speed

    I’m working on an 1080p24 (35Mbps) project and import seems to take me around 1x-1.5x per clip on a 2.16Ghz MacBook Pro via Firewire 800.

Page 1 of 11

We use anonymous cookies to give you the best experience we can.
Our Privacy policy | GDPR Policy