Angelo Lorenzo
Forum Replies Created
-
Closeup, build a platform with a piece of plywood and hole cut out of it suspended from appleboxes, cover with sod/dirt. If it’s ~18 inches from the ground, it allows an actor to lay comfortably and reach their hand out. With the correct camera angle (low and up) you can give it the background of the grave yard.
——————–
Angelo LorenzoNeed to encode ProRes on your Windows PC?
Introducing ProRes Helper, an awesome little app that makes it possible
Fallen Empire Digital Production Services – Los Angeles
RED transcoding, on-set DIT, and RED Epic rental services
Fallen Empire – The Blog
A blog dedicated to filmmaking, the RED workflow, and DIT tips and tricks
Can your post production question fit in a tweet? Follow me on Twitter -
Post a screenshot of your timeline, and let us know what GPU you’re using if you’re using GPU acceleration.
For now also go to Sequence > Delete Work Area Render Files (if not grayed out) and then go to Sequence > Render entire work area. My initial assumption is that it’s a playback glitch – this happens every so often.
——————–
Angelo LorenzoNeed to encode ProRes on your Windows PC?
Introducing ProRes Helper, an awesome little app that makes it possible
Fallen Empire Digital Production Services – Los Angeles
RED transcoding, on-set DIT, and RED Epic rental services
Fallen Empire – The Blog
A blog dedicated to filmmaking, the RED workflow, and DIT tips and tricks
Can your post production question fit in a tweet? Follow me on Twitter -
Use the cut/razor tool to separate that portion of the clip and cross fade to blend if needed.
——————–
Angelo LorenzoNeed to encode ProRes on your Windows PC?
Introducing ProRes Helper, an awesome little app that makes it possible
Fallen Empire Digital Production Services – Los Angeles
RED transcoding, on-set DIT, and RED Epic rental services
Fallen Empire – The Blog
A blog dedicated to filmmaking, the RED workflow, and DIT tips and tricks
Can your post production question fit in a tweet? Follow me on Twitter -
I wouldn’t say it’s a no-no, but it’s certainly an aggressive, modern style that can artificially pit two parties against each other.
Generally, cutting like this can speed the pace of a program to the point where it feels strange in the whole. It also tends to fill less time which may be counter to what the producer needs for running length.
While it’s good the producer is letting you have first stab, it’s also their job to reel you in so the needs are met for the final product.
——————–
Angelo LorenzoNeed to encode ProRes on your Windows PC?
Introducing ProRes Helper, an awesome little app that makes it possible
Fallen Empire Digital Production Services – Los Angeles
RED transcoding, on-set DIT, and RED Epic rental services
Fallen Empire – The Blog
A blog dedicated to filmmaking, the RED workflow, and DIT tips and tricks
Can your post production question fit in a tweet? Follow me on Twitter -
I would save this template with placeholder video as its own project for you to import into your working project. From there you can load your real footage in the source monitor and then in the timeline right click and select Replace Clip > From source monitor.
This is one of those things that works super well as a template.
——————–
Angelo LorenzoNeed to encode ProRes on your Windows PC?
Introducing ProRes Helper, an awesome little app that makes it possible
Fallen Empire Digital Production Services – Los Angeles
RED transcoding, on-set DIT, and RED Epic rental services
Fallen Empire – The Blog
A blog dedicated to filmmaking, the RED workflow, and DIT tips and tricks
Can your post production question fit in a tweet? Follow me on Twitter -
Not sure I understand what you mean. If you want to scale or move a clip within the program monitor then go to Effects Panel and highlight the clip’s motion effect. This will allow you to manipulate your image directly in the program monitor.
——————–
Angelo LorenzoNeed to encode ProRes on your Windows PC?
Introducing ProRes Helper, an awesome little app that makes it possible
Fallen Empire Digital Production Services – Los Angeles
RED transcoding, on-set DIT, and RED Epic rental services
Fallen Empire – The Blog
A blog dedicated to filmmaking, the RED workflow, and DIT tips and tricks
Can your post production question fit in a tweet? Follow me on Twitter -
While Adobe employees float around this forum, their forums, and other major forums, this official form is the only formal way to submit bugs and feature requests https://www.adobe.com/cfusion/mmform/index.cfm?name=wishform
——————–
Angelo LorenzoNeed to encode ProRes on your Windows PC?
Introducing ProRes Helper, an awesome little app that makes it possible
Fallen Empire Digital Production Services – Los Angeles
RED transcoding, on-set DIT, and RED Epic rental services
Fallen Empire – The Blog
A blog dedicated to filmmaking, the RED workflow, and DIT tips and tricks
Can your post production question fit in a tweet? Follow me on Twitter -
You’d still have to review footage. From what I recall, there will be no designator in the file name to say “hey this is part 2!” it’ll just be the next numbered clip.
A few things 1) live with it, 2) you could just use nested timelines in Premiere, similar to a merged clip, 3) You could butt them up in Premiere and export the full file to a intermediate codec like ProRes or DNxHD, or 4) you could try and literally join the files which may lead to all kinds of unforeseeable issues – https://superuser.com/questions/133413/joining-h264-without-re-encoding
I would probably stick with #1. It’s easy if you keep editing notes, it’s friendly if you have to use EDL/XML exports, and it requires not additional ingest/processing time.
——————–
Angelo LorenzoNeed to encode ProRes on your Windows PC?
Introducing ProRes Helper, an awesome little app that makes it possible
Fallen Empire Digital Production Services – Los Angeles
RED transcoding, on-set DIT, and RED Epic rental services
Fallen Empire – The Blog
A blog dedicated to filmmaking, the RED workflow, and DIT tips and tricks
Can your post production question fit in a tweet? Follow me on Twitter -
When you are dragging files from your SD cards into Premiere, Premiere Pro is not copying them, it’s accessing them in-place. Once you eject the card, the files are on longer available and will be marked offline.
Please copy your SD cards to your hard drives (preferably double or triple backed up) using Finder or, more professionally, Shotput Pro or Adobe Prelude.
——————–
Angelo LorenzoNeed to encode ProRes on your Windows PC?
Introducing ProRes Helper, an awesome little app that makes it possible
Fallen Empire Digital Production Services – Los Angeles
RED transcoding, on-set DIT, and RED Epic rental services
Fallen Empire – The Blog
A blog dedicated to filmmaking, the RED workflow, and DIT tips and tricks
Can your post production question fit in a tweet? Follow me on Twitter -
I don’t have enough mkIII footage to test but I could only assume no. Since they’re straight ahead MOV files with no other “hints” like XDCAM or P2 might have with folder structure, they should come in as single files you’ll need to butt-up manually.
——————–
Angelo LorenzoNeed to encode ProRes on your Windows PC?
Introducing ProRes Helper, an awesome little app that makes it possible
Fallen Empire Digital Production Services – Los Angeles
RED transcoding, on-set DIT, and RED Epic rental services
Fallen Empire – The Blog
A blog dedicated to filmmaking, the RED workflow, and DIT tips and tricks
Can your post production question fit in a tweet? Follow me on Twitter