Angelo Lorenzo
Forum Replies Created
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Angelo Lorenzo
April 21, 2013 at 8:30 pm in reply to: Sequence Settings – 4:3 foorage with black bars and 16:9 HD footageI have some effects presets to achieve what Ivan describes available at https://www.fallenempiredigital.com/blog/2013/04/21/premiere-pro-quick-tip-avoid-shadowboxes-while-mixing-sd-footage-into-an-hd-project/
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Angelo LorenzoNeed to encode ProRes on your Windows PC?
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Angelo Lorenzo
April 21, 2013 at 6:06 pm in reply to: Replancing MOV clips by DPX clips with diferent frame rates in After EffectsDo the DPX and MOV footage have the same time code in 23.976? If they don’t then you may need to do a full manual conform.
I assume DPX on recorder and mov from camera.
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Angelo LorenzoNeed to encode ProRes on your Windows PC?
Introducing ProRes Helper, an awesome little app that makes it possible
Fallen Empire Digital Production Services – Los Angeles
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Fallen Empire – The Blog
A blog dedicated to filmmaking, the RED workflow, and DIT tips and tricks
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Check your composition and export settings. This artifact looks like its caused by interlacing and this material should be treated as progressive during the entire editing process.
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Angelo LorenzoNeed to encode ProRes on your Windows PC?
Introducing ProRes Helper, an awesome little app that makes it possible
Fallen Empire Digital Production Services – Los Angeles
RED transcoding, on-set DIT, and RED Epic rental services
Fallen Empire – The Blog
A blog dedicated to filmmaking, the RED workflow, and DIT tips and tricks
Can your post production question fit in a tweet? Follow me on Twitter -
Angelo Lorenzo
April 21, 2013 at 2:52 am in reply to: Replancing MOV clips by DPX clips with diferent frame rates in After EffectsI would consider everything to be 23.976 to make the editing and conforming accurate.
Once you have your master reels, interpret them as 24fps and adjust the duration of the audio to match (this will affect the pitch ever so slightly). This would be the cleanest way, in my opinion, to conform to 24fps.
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Angelo LorenzoNeed to encode ProRes on your Windows PC?
Introducing ProRes Helper, an awesome little app that makes it possible
Fallen Empire Digital Production Services – Los Angeles
RED transcoding, on-set DIT, and RED Epic rental services
Fallen Empire – The Blog
A blog dedicated to filmmaking, the RED workflow, and DIT tips and tricks
Can your post production question fit in a tweet? Follow me on Twitter -
Please see my answer to your former post. The RAM upgrade is solid (Can’t ever complain at it for a cheap and easy upgrade) but chances are a GPU upgrade is misguided and won’t buy you much in terms of overall performance with R3D footage. The GPU handles no part of its processing directly https://forums.creativecow.net/readpost/3/939205
It may shave some time off because it handles resizing and GPU enabled effects, but you will have to slog through your final renders if doing them at full quality.
My verdict is offline editing, and then online the 4K stuff later on during the finishing stage. You’ll be in much better shoes.
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Angelo LorenzoNeed to encode ProRes on your Windows PC?
Introducing ProRes Helper, an awesome little app that makes it possible
Fallen Empire Digital Production Services – Los Angeles
RED transcoding, on-set DIT, and RED Epic rental services
Fallen Empire – The Blog
A blog dedicated to filmmaking, the RED workflow, and DIT tips and tricks
Can your post production question fit in a tweet? Follow me on Twitter -
The recorder uses MPEG-2 compression. You either need to grab Calibrated-Q https://www.calibratedsoftware.com/QXD.asp which will read MPEG2 MOV files or re-wrap the files to MP4 which Premiere should read without issue using something like MPEG Streamclip https://www.squared5.com/
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Angelo LorenzoNeed to encode ProRes on your Windows PC?
Introducing ProRes Helper, an awesome little app that makes it possible
Fallen Empire Digital Production Services – Los Angeles
RED transcoding, on-set DIT, and RED Epic rental services
Fallen Empire – The Blog
A blog dedicated to filmmaking, the RED workflow, and DIT tips and tricks
Can your post production question fit in a tweet? Follow me on Twitter -
Ah yes, that would indeed be a way to do it. Slipped my minds to think of adding in the shortcuts that would highlight the program monitor. I think you got it.
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Angelo LorenzoNeed to encode ProRes on your Windows PC?
Introducing ProRes Helper, an awesome little app that makes it possible
Fallen Empire Digital Production Services – Los Angeles
RED transcoding, on-set DIT, and RED Epic rental services
Fallen Empire – The Blog
A blog dedicated to filmmaking, the RED workflow, and DIT tips and tricks
Can your post production question fit in a tweet? Follow me on Twitter -
With a program like AutoHotKey, you could conceivably program it to trigger three shortcut key combinations when you press one. AutoHotKey and similar programs intercept your keystrokes and allows you to script things around them. It’s a totally seperate program and useful for many things. https://lifehacker.com/5598693/the-best-time+saving-autohotkey-tricks-you-should-be-using Not sure if they have a version for Mac if you’re on one, but there should be a similar program out there.
With that said, you are correct, you can’t trigger any toggling from the timeline panel. Feature request for now https://www.adobe.com/cfusion/mmform/index.cfm?name=wishform
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Angelo LorenzoNeed to encode ProRes on your Windows PC?
Introducing ProRes Helper, an awesome little app that makes it possible
Fallen Empire Digital Production Services – Los Angeles
RED transcoding, on-set DIT, and RED Epic rental services
Fallen Empire – The Blog
A blog dedicated to filmmaking, the RED workflow, and DIT tips and tricks
Can your post production question fit in a tweet? Follow me on Twitter -
You could set up a program like Autohotkey to trigger multiple shortcut key combinations from one keystroke, effectively making a universal shortcut key.
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Angelo LorenzoNeed to encode ProRes on your Windows PC?
Introducing ProRes Helper, an awesome little app that makes it possible
Fallen Empire Digital Production Services – Los Angeles
RED transcoding, on-set DIT, and RED Epic rental services
Fallen Empire – The Blog
A blog dedicated to filmmaking, the RED workflow, and DIT tips and tricks
Can your post production question fit in a tweet? Follow me on Twitter -
Angelo Lorenzo
April 19, 2013 at 6:53 pm in reply to: Prelude and dual system audio – Kevin Monahan???Prelude CS6 does not support ingest audio-only files or still images https://forums.adobe.com/message/4411277
As far as if you’ll see something in the new release of Prelude, I haven’t seen anything mentioned on any of the new feature lists.
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Angelo LorenzoNeed to encode ProRes on your Windows PC?
Introducing ProRes Helper, an awesome little app that makes it possible
Fallen Empire Digital Production Services – Los Angeles
RED transcoding, on-set DIT, and RED Epic rental services
Fallen Empire – The Blog
A blog dedicated to filmmaking, the RED workflow, and DIT tips and tricks
Can your post production question fit in a tweet? Follow me on Twitter