Wes Plate
Forum Replies Created
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Then you should simply export with Source Compression so that the movie uses the Avid Codec. I advise against trying to use a different codec and then possibly muck up the settings.
— Wes Plate
Automatic Duck -
Thank you for beating me to it. Pro Import FCP. https://www.automaticduck.com/pifcp/
— Wes Plate
Automatic Duck -
QT reference is a good way to ensure you don’t screw it up by setting all kinds of weird Quicktime export options.
You should also look at Pro Import AE if you need your sequence recreated in AE with each clip on a separate AE layer. https://www.automaticduck.com/piae/
— Wes Plate
Automatic Duck -
I assume your original BIG comp is square pixels?
How about you create a DV NTSC comp then nest your BIG comp into it and then scale it to fit to width?
You should not be worrying about changing pixel aspect ratios to compensate for anything. Let AE do its job and handle that for you.
— Wes Plate
Automatic Duck -
There isn’t.
Presumably it is coming soon, Avid was showing Media Composer software running on Macintel at DV Expo.
— Wes Plate
Automatic Duck -
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A not-free, but FAST way to get an FCP sequence into AE (with each FCP clip as a separate AE layer) is Automatic Duck’s Pro Import AE.
— Wes Plate
Automatic Duck -
What do you mean by “mark”?
— Wes Plate
Automatic Duck -
You set that in the import dialog.
— Wes Plate
Automatic Duck -
Perhaps you ran into the max number of codecs issue I linked to.
— Wes Plate
Automatic Duck