Forum Replies Created

Page 1427 of 1462
  • Walter Biscardi

    May 20, 2005 at 9:28 am in reply to: Kona 2 and IO workflow = FRIGGIN SWEET.

    [Ron] “I was on the PipeStudio band wagon for a while, but I think this is the way to go as far as maintaining HD compatibility.”

    Don’t get rid of the PipeStudio if you don’t need to. Keep it in a second system as the K2 and the Pipe family play very nice together. I’ve been in a 15 day edit with both suites working on the same projects in the Apple 8bit uncompressed codec and we keep moving projects files back and between the two rooms. Room 1 has the K2, Room 2 has the PipePro. It’s been a complete project saver with this client.

    If you only have one system, then I guess you need to sell it off, but if you have another G4 or G4 lying around, throw the Pipe in there and keep on cutting.

    Walter Biscardi, Jr.
    Creative Genius, Biscardi Creative Media
    https://www.biscardicreative.com

    Now in Production, “The Rough Cut,” https://www.theroughcutmovie.com

    “I reject your reality and substitute my own!” – Adam Savage, Mythbusters

  • [bob carpenter] “I dont believe you can upgrade from 2 to 5. I’m pretty sure you need to be upgrading from 4 or 3 at the least. Call apple and ask them.”

    If it’s like it has been in the past, you can upgrade from any previous version of FCP to the latest.

    Walter Biscardi, Jr.
    Creative Genius, Biscardi Creative Media
    https://www.biscardicreative.com

    Now in Production, “The Rough Cut,” https://www.theroughcutmovie.com

    “I reject your reality and substitute my own!” – Adam Savage, Mythbusters

  • Walter Biscardi

    May 19, 2005 at 1:19 pm in reply to: Kona 2 and IO workflow = FRIGGIN SWEET.

    [Mike Levine] “Hi there- Could you explain to me why and how people are using the Kona 2 and IO together, they seem like they are 2 different pieces of equipment for 2 different purposes. Any info would be greatly appreciated!”

    Kona 2 is all digital inputs with some analog output. So if your workflow requires Analog input then the Io is the perfect add-on which works hand-in hand with the Kona 2. In addition, since the Io is an external box, you can connect it to multiple workstations by simply moving it around the office or even to a laptop. To do with with a Kona 2 would require shutting down the machine, removing the card, etc…..

    With the Kona 2, the Io LA is a perfect Analog add-on.

    Walter Biscardi, Jr.
    Creative Genius, Biscardi Creative Media
    https://www.biscardicreative.com

    Now in Production, “The Rough Cut,” https://www.theroughcutmovie.com

    “I reject your reality and substitute my own!” – Adam Savage, Mythbusters

  • [Marco Solorio] “But its native resolution only goes up to 720p. Any 1080 material will get down-rezed. I think if you’re going into an LCD route, the Dell 2405FPW is a great way to do it.”

    We’ve run 1080 on it and it’s absolutely gorgeous. In fact, one of my VAR’s was here one day working with some 1080i footage he shot with the Panasonic camera (not sure which model #, it’s the one that only shoots 1080i) and he was amazed at the quality of the output.

    Not doubting that the Dell may be better, but the Sony is definitely worth a look. We’re going to use it as our playback monitor this weekend during our film shoot. I’ll let you know how that goes.

    Walter Biscardi, Jr.
    Creative Genius, Biscardi Creative Media
    https://www.biscardicreative.com

    Now in Production, “The Rough Cut,” https://www.theroughcutmovie.com

    “I reject your reality and substitute my own!” – Adam Savage, Mythbusters

  • [Tom Matthies] “Anyway to disable Spotlight without limiting accessability to the drives or disabling the “old fashioned” CMD-“F” find function? While it’s a neat feature, I just don’t need it right now.”

    According to the article that was linked to above, the answer is “no” spotlight cannot be disabled.

    Walter Biscardi, Jr.
    Creative Genius, Biscardi Creative Media
    https://www.biscardicreative.com

    Now in Production, “The Rough Cut,” https://www.theroughcutmovie.com

    “I reject your reality and substitute my own!” – Adam Savage, Mythbusters

  • Walter Biscardi

    May 19, 2005 at 7:18 am in reply to: so any REAL difference between 4.5 and 5?

    The dynamic realtime feature sounds pretty neat. I’m looking forward to trying that out with my fibrechannel array.

    Walter Biscardi, Jr.
    Creative Genius, Biscardi Creative Media
    https://www.biscardicreative.com

    Now in Production, “The Rough Cut,” https://www.theroughcutmovie.com

    “I reject your reality and substitute my own!” – Adam Savage, Mythbusters

  • Walter Biscardi

    May 19, 2005 at 7:17 am in reply to: Beta question.

    [Travis Miller] “I didn’t think the machine would be cheap… but $25 – 30k? *whew*
    That’s a bit out of my reach.”

    That would be really cheap used DigiBeta machine, they’re more like $60k new for a recorder. You can get a Sony UVW-1800 (BetaSP) for about $6,000 or less used. That gives you BetaSP record capabilities which you could always get transferred to DigiBeta later.

    Of course, then you want to work in uncompressed to deliver the cleanest master possible, so you would want at least the AJA Io to allow uncompressed capture / delivery and at least one FW800 drive to work with 8bit uncompressed video.

    Walter Biscardi, Jr.
    Creative Genius, Biscardi Creative Media
    https://www.biscardicreative.com

    Now in Production, “The Rough Cut,” https://www.theroughcutmovie.com

    “I reject your reality and substitute my own!” – Adam Savage, Mythbusters

  • Walter Biscardi

    May 19, 2005 at 7:13 am in reply to: SONY ‘B-STOCK’ MONITORS

    [Scott Shucher] “I’m going to monitor HD via the Kona’s HD component analog, until I can get a much better price on the HD-SDI option card.”

    I think the HD-SDI card for that particular monitor is a waste of money. After all, it’s 800 lines whether you install that option or not, so I’d rather save the money and put it towards other equipment since the component output from the Kona 2 is so sharp on that monitor anyway. As you note, the HD-SDI card is more than the monitor.

    I’ve heard nothing good about the new Luma series and plan to add a second PVM20L5/1 before they disappear. Fantastic monitor at a great price. It’s a shame everyone has to phase out the CRT’s, but change is a continuous part of our business.

    Walter Biscardi, Jr.
    Creative Genius, Biscardi Creative Media
    https://www.biscardicreative.com

    Now in Production, “The Rough Cut,” https://www.theroughcutmovie.com

    “I reject your reality and substitute my own!” – Adam Savage, Mythbusters

  • Walter Biscardi

    May 19, 2005 at 12:19 am in reply to: Blurring

    Duplicate the video track and place it directly above the original.

    Now apply a blur to the top video track.

    Now crop the top video track to only blur the area you want blurred. You can add a feather if you’d like.

    Walter Biscardi, Jr.
    Creative Genius, Biscardi Creative Media
    https://www.biscardicreative.com

    Now in Production, “The Rough Cut,” https://www.theroughcutmovie.com

    “I reject your reality and substitute my own!” – Adam Savage, Mythbusters

  • Walter Biscardi

    May 18, 2005 at 6:42 pm in reply to: Bella Pro keyboards

    [Kerry] “My Eject key on the Bella keyboard is inoperative. Hope Bella gets the fix out soon. I really like the Keyboard.”

    Is this with Tiger? Works fine here with Panther.

    Walter Biscardi, Jr.
    Creative Genius, Biscardi Creative Media
    https://www.biscardicreative.com

    Now in Production, “The Rough Cut,” https://www.theroughcutmovie.com

    “I reject your reality and substitute my own!” – Adam Savage, Mythbusters

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