Forum Replies Created

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  • Steven L. gotz

    May 8, 2005 at 4:56 am in reply to: 24fps Project not to time!

    It sounds like it is 24 minutes long using 24 frames per minute.

    The difference between 24 and 23.976 is 0.024 (frames per second) and multiplied by 60 is 1.44 frames. Times 24 seconds, it comes to a total of 34.56 frames more than what it would at 23.976, which is one second and 10+ frames. So perhaps your project is 24 and not 23.976?

    Steven
    Adobe Premiere Pro 1.5 / After Effects 6.5 Pro https://www.stevengotz.com
    Learning Adobe Premiere Pro 1.5 https://www.lynda.com
    Contributing Writer, PeachPit Press, Visual QuickPro Guide, Premiere Pro 1.5

  • Steven L. gotz

    May 8, 2005 at 4:47 am in reply to: Monitoring audio input levels during capture

    There is no way to do that. But if it is OK, why watch it? You can always just watch it after the fact using the Audio Mixer.

    Steven
    Adobe Premiere Pro 1.5 / After Effects 6.5 Pro https://www.stevengotz.com
    Learning Adobe Premiere Pro 1.5 https://www.lynda.com
    Contributing Writer, PeachPit Press, Visual QuickPro Guide, Premiere Pro 1.5

  • Steven L. gotz

    May 8, 2005 at 4:46 am in reply to: Help Compress Quicktime Premiere 6

    My guess is that an average 30 second clip at 320X240 will go to about 700K (audience – advanced setting)and still come in around 3MB when using WM9 VBR and 128K audio.

    Steven
    Adobe Premiere Pro 1.5 / After Effects 6.5 Pro https://www.stevengotz.com
    Learning Adobe Premiere Pro 1.5 https://www.lynda.com
    Contributing Writer, PeachPit Press, Visual QuickPro Guide, Premiere Pro 1.5

  • Steven L. gotz

    May 7, 2005 at 5:46 pm in reply to: batch

    Bring it over to After Effects and export from there. Then you can use the batch export capability.

    Steven
    Adobe Premiere Pro 1.5 / After Effects 6.5 Pro https://www.stevengotz.com
    Learning Adobe Premiere Pro 1.5 https://www.lynda.com
    Contributing Writer, PeachPit Press, Visual QuickPro Guide, Premiere Pro 1.5

  • Or if you are using a PC, the quality and size difference really calls for a WM9 codec. I don’t understand everyones preoccupation with the Mac. Are there that many in the business environment connected to projectors in conference rooms? If you have to deal with a Mac, then MPEG1 makes sense. Otherwise, just limit yourself to 95% of the market and use WM9.

    Steven
    Adobe Premiere Pro 1.5 / After Effects 6.5 Pro https://www.stevengotz.com
    Learning Adobe Premiere Pro 1.5 https://www.lynda.com
    Contributing Writer, PeachPit Press, Visual QuickPro Guide, Premiere Pro 1.5

  • Steven L. gotz

    May 7, 2005 at 5:42 pm in reply to: Keyframing Title Properties

    I don’t understand the problem people have with using After Effects to create complicated animations and then use them in Premiere Pro. The titler is OK, but the text animation presets in After Effects 6.5 are so superior to anything else out there, I just don’t get it.

    I guess it would be nice to have a full featured titler, but I think I would rather have Adobe work on integrating After Effects and Premiere Pro and Audition and Encore and Photoshop all together so that instead of a titler window, we would get a subset of After Effects opening in the Premiere Pro environment. Instead of a title, we would get a composition. And it we went to edit a graphic, we would get the standard Photoshop tools.

    We need the separate apps for the more complicated issues, but why not have modules that couled be called from one program to another. Object Oriented and the same from app to app because they are the same objects, not just similar.

    Steven
    Adobe Premiere Pro 1.5 / After Effects 6.5 Pro https://www.stevengotz.com
    Learning Adobe Premiere Pro 1.5 https://www.lynda.com
    Contributing Writer, PeachPit Press, Visual QuickPro Guide, Premiere Pro 1.5

  • Steven L. gotz

    May 7, 2005 at 5:45 am in reply to: Monitoring audio input levels during capture

    That would have to be a plugin supplied by Decklink wouldn’t it? Premiere Pro does not capture analog by itself, and there is no way to adjust the audio of DV coming in through the firewire.

    Steven
    Adobe Premiere Pro 1.5 / After Effects 6.5 Pro https://www.stevengotz.com
    Learning Adobe Premiere Pro 1.5 https://www.lynda.com
    Contributing Writer, PeachPit Press, Visual QuickPro Guide, Premiere Pro 1.5

  • Steven L. gotz

    May 7, 2005 at 2:29 am in reply to: Undocking windows

    You must stretch the Premiere Pro window across both screens. Most child windows will not go beyond the mother window.

    Steven
    Adobe Premiere Pro 1.5 / After Effects 6.5 Pro https://www.stevengotz.com
    Learning Adobe Premiere Pro 1.5 https://www.lynda.com
    Contributing Writer, PeachPit Press, Visual QuickPro Guide, Premiere Pro 1.5

  • Steven L. gotz

    May 7, 2005 at 2:28 am in reply to: Keyframing Title Properties

    That is done in After Effects. The titler in Premiere Pro is not keyframable. Unless you want to make a bunch of titles and deal with it that way. Manually.

    Steven
    Adobe Premiere Pro 1.5 / After Effects 6.5 Pro https://www.stevengotz.com
    Learning Adobe Premiere Pro 1.5 https://www.lynda.com
    Contributing Writer, PeachPit Press, Visual QuickPro Guide, Premiere Pro 1.5

  • Steven L. gotz

    May 6, 2005 at 10:09 pm in reply to: Transition question

    Just try it. You will see for yourself. It looks the same as doing it on one track. There may be some transitions that look different, but I don’t know of any.

    Steven
    Adobe Premiere Pro 1.5 / After Effects 6.5 Pro https://www.stevengotz.com
    Learning Adobe Premiere Pro 1.5 https://www.lynda.com
    Contributing Writer, PeachPit Press, Visual QuickPro Guide, Premiere Pro 1.5

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