Sascha Haber
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You only cut in the master session.
In the Timeline you are free to shorten a clip and insert a new FROM the master session.A slice of color…
DaVinci 8.0.1 OSX 10.7
MacPro 5.1 2×2,4 24GB
RAID0 8TB eSata 6TB
GTX 470 / GT 120
Extreme 3D+ WAVE -
Ok, try this :
1. Get yourself a copy of STORM, trial will do.
2. Export an EDl from Resolve of what you are really using (locked edit)
3. Import that into Storm and CUT your RED footage accordingly into a neat pool of wanted media.
3. Reconform your project by either changing parent directory, re-conform and color trace or both.See if that sorts it out.
Request : Consolidate function in Resolve, with or without truncating RED files.
A slice of color…
DaVinci 8.0.1 OSX 10.7
MacPro 5.1 2×2,4 24GB
RAID0 8TB eSata 6TB
GTX 470 / GT 120
Extreme 3D+ WAVE -
And here two examples of what they mean when talking about “natural healthy looking ” skintones :
https://www.imdb.com/media/rm3594424064/tt0418279
https://www.imdb.com/media/rm3242102528/tt0418279Which in fact is keying the skintones out, desaturating 50% or more and then pushing it to orange.
As natural as Pam´s rack 😀
A slice of color…
DaVinci 8.0.1 OSX 10.7
MacPro 5.1 2×2,4 24GB
RAID0 8TB eSata 6TB
GTX 470 / GT 120
Extreme 3D+ WAVE -
Thats an interesting topic.
Do you have a sample we can compare in Resolve and AE ?
That would be really interesting to find out.
I am using the Apple cinema display and did not see any banding that was not already in the compression so farA slice of color…
DaVinci 8.0.1 OSX 10.7
MacPro 5.1 2×2,4 24GB
RAID0 8TB eSata 6TB
GTX 470 / GT 120
Extreme 3D+ WAVE -
Correct skin tones ?
Colorista !! OMG, dude.
I mean, a skintone should always reflect the lighting in the room, the interaction with the atmosphere and of course and most important, Not stand out like a puppet mask (Michael Bay) .
So I got my skintone checker right above my nose.
It needs to look good, not have a certain color value.A slice of color…
DaVinci 8.0.1 OSX 10.7
MacPro 5.1 2×2,4 24GB
RAID0 8TB eSata 6TB
GTX 470 / GT 120
Extreme 3D+ WAVE -
I removed the AppleDisplayPowerManagement.kext completely.
Also i am on CUDA 4.0.50 now…
17 was giving me nothing but lemons, and I prefer beer over lemonade 🙂A slice of color…
DaVinci 8.0.1 OSX 10.7
MacPro 5.1 2×2,4 24GB
RAID0 8TB eSata 6TB
GTX 470 / GT 120
Extreme 3D+ WAVE -
If you make yourself three settings on memory A B C its a matter of minutes to got through the whole show and press the keys.
Always given the fact you didnt start grading yet.A slice of color…
DaVinci 8.0.1 OSX 10.7
MacPro 5.1 2×2,4 24GB
RAID0 8TB eSata 6TB
GTX 470 / GT 120
Extreme 3D+ WAVE -
Maybe you are lucky and they can be sorted by timecode.
Switch to that view and see if group-able shots are next to each other.
Then click first hold shift click last and Add to current group.
If they are all over the place, well, single clicks then.A slice of color…
DaVinci 8.0.1 OSX 10.7
MacPro 5.1 2×2,4 24GB
RAID0 8TB eSata 6TB
GTX 470 / GT 120
Extreme 3D+ WAVE -
Group the shots you want to have the LUT in, make a node, load the LUT, apply to group, ungroup.
Thats given the fact you are doing this BEFORE grading.
After grading, you have to save one with a LUT node, open the node graph
and drag it into the graph on the shots you want it.And yes, again the request for copying nodes to trees still stands.
A slice of color…
DaVinci 8.0.1 OSX 10.7
MacPro 5.1 2×2,4 24GB
RAID0 8TB eSata 6TB
GTX 470 / GT 120
Extreme 3D+ WAVE -
https://sourceforge.net/projects/cuda-z/files/cuda-z/Beta/CUDA-Z-0.6.133-SVN.dmg/download
Try to download this CUDA test app.
It will tell you if your card is actually working or not.A slice of color…
DaVinci 8.0.1 OSX 10.7
MacPro 5.1 2×2,4 24GB
RAID0 8TB eSata 6TB
GTX 470 / GT 120
Extreme 3D+ WAVE