Ralph Bertini
Forum Replies Created
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Thanks, I’m on PC, xw 8200 certified system, This will save me alot of time!
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I think you left out 1 important point. It may be obvious, Use the audio track on the wide camera to sync the 2 tracks together. That way you’ll have lip sync as you cut back and forth. When you’re done simply blow away or turn off the unwanted audio. Regards – Ralph
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Did you check machine templates in your settings?
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It’s like anything else, it seems like such a pain before you get started. It’s really not that bad. I’m an xpro driver too and am forced into FCP by my new job. Granted, there’s no time constraint…yet, so I’m playing with it and it’s not any worse than the learning curve I faced going from M100 (rip) to AVID. Tom Wolsky has written a book that’s helping alot to de-mystify the transition. If you need speed for your project, I’d cut on the AVID. IF time isn’t as critical learn FCP it’s worth the trouble. Surrender to the dark side, Luke.
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Look at Sony sony PVM 14 L-1, 650 lines, sv, composite in/out about 500 bucks. All depends on what you want to spend
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Weird, I just checked the profile and you’re right…not there. stormjib23@yahoo.com
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No worries, e-mail me off list if you like. I have multo years experience doing live multicam events and have had to do things in all sorts of wacky ways
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Thanks guys
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Thanks, I’ll check it out
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Maybe if you shed some light on what you’re trying to do someone could help. Unless of course you have to kill us if you tell us. On the surface, it sounds like you’re trying to iso cam the cameras? I’m not really up to speed on FCP yet, ( being one of the AVID unclean )but consider this, if you’re going to do a multicam edit you might want timecode that you can preset. You’re right media management will kill on this one. One last thing, if it’s a live event why not switch it live and save all the grief