Paul Escandon
9
COW Coins
6
Premiere Pro Coins
Forum Replies Created
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Hey there Devrim,
I don’t yet have a video yet on the command line workflow but that’s a great idea – I’ll be sure to make one.
What I do have is a tutorial video for a sister product I’m launching soon called Smart Editor – which will be part of a suite of tools for editors that will include a front end for Sheetscut. You can see it in action and at the end of the video Sheetscut comes into play to make the actual XML that gets imported into Premiere. Check it out and let me know if you have any questions.
https://vimeo.com/1161149551/6a3de1c344?share=copy&fl=sv&fe=ci
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Add me to the list. Very annoying. I’m still on CC2014.
What’s weird is at work I have a 2 monitor setup and I’ve never experienced the issue. At home I have a 2 monitor setup and it’s a regular occurrence – with the same work machine as well as my laptop. I’m thinking the difference is that at home, with smaller monitors, I have my timeline on one screen and the program window on the other. Maybe that’s where the problem shows up? Are y’alls setup similar?
Also, I’m able to fix this without quitting (I hate quitting and reloading in Premiere) by:
a) dragging out sequence to a new window
b) closing sequence window
c) renaming the sequence, then renaming it back to what it was
d) double clicking to open the sequence again.For some reason, this fixes the problem. Not sure if renaming is a necessary step, but I did it the first time and I’m a slave to the cadence of steps that fixes an annoying-ass bug.
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Andrew –
Did you ever find a fix for your issue?
We just ordered one of these monitors and I’m noticing something weird on FCP playback. Your Vimeo link is no longer working so I can’t see what the issue is you were having.
Let me know. thanks.
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Whoa Dave, WHOA!!
I think a lot of us here have multiple machines, some of which are our primary production machines and some of which may be personal machines that also run a copy of FCP. It’s absolutely to be expected that some of us will start upgrading so that we can at least be informed of how the system performs and what caveats might be present. If anything, I’m going to have clients that may already be upgrading their edit bays to OS X Lion as we speak and I want to be prepared going into an edit what issues I might face.
Does that help provide some color on why I asked?
;]
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Wow Bouke is the man – he’s got everything I need!
Thanks for the link. This looks good.
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I’m actually a Google Wave user but I see no way of properly interacting with this Wave the way it is embedded… not sure if it is my browser or what.
Still waiting to actually use WAVE in a useful manner. Hopefully one day!
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Hey – is there any update on this by anyone? Bouke – if you’re still around I tried getting back in touch with you to talk about that custom tool that you talked to me about developing but your e-mail bounced.
I’m at the point right now where I literally have hundreds of quicktime files that I’m manually having to cut the blacks out of and I’d like to explore this again. Thanks!
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We’ve been using Extreme Music (www.extrememusic.com) at Outdoor Channel for the past year and coming from the DeWolfe stuff we had before, it’s a giant improvement. The entire library is hosted online and the search interface is pretty solid. I don’t think they’re especially cheap – but the selection is great.
-Paul Escandon
Founder of ProVideoSchool.com -
Bouncing is the process by which you get an AIFF out of ProTools.
-P
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Yeah – that’s an odd request. Working backward from a target file size is going to be challenging and weird – especially with something as short as 30 seconds. Maybe he wants something no bigger than 100mb? If so that’s easy.
Paul Escandon
ProVideoSchool.com