Michael Phillips
1
COW Coin
Forum Replies Created
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You should work that with the transfer house. They may be able to work with the EDL or the pull list – the pull list may be your best bet since it will include camera roll, keykode, timecode, tape name, and all other needed metadata as needed.
Michael
anything 24fps
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Have you tried the FluidFilm preset to create true 23.976 sources with 2:3 pulldown? Takes its time, but it can look very good.
anything 24fps
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Correct, every subclip must points back to a master clip – there cane be a one to one subclip to master clip or multiple subclips to one master clip.
Michael
anything 24fps
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Have you tried a luma key?
anything 24fps
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And then you can always subclip the remaining clip to be V1A1A2 if you don’t want to deal with audio tracks 3 and 4 on the source clips.
anything 24fps
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What happens if you recapture using the offline resolution, do you get the same results as the original offline or is it off as well?
Michael
anything 24fps
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Were they both captured over FireWire or was the 15:1s done over 9 pin control and the DV25 being done via FireWire?
Michael
anything 24fps
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ALT “6” will loop play in to out.
anything 24fps
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Depends on who is asking… EDL’s can be created in both 24 and 25 (and even 30 if needed). The OMF edit rate is 24 – Pro Tools will work at 24. Digital Cuts can be be made at 24+1 pulldown to maintain film duration on PAL video or sped up 4.1% to be 25fps. QuickTime export will be 24fps with no pulldown.
In most cases you have a choice – depends on where you are in the workflow, who is asking, and what rate they can work at – discuss this with your audio post team and lab and you will be able to deliver whatever they need.
Michael
anything 24fps
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No it can not…
Michael
anything 24fps