Matt Sandström
Forum Replies Created
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you’re probably right. what i realize now that i’ve done before is relinking an entire sequence from an “offline” version, which does indeed rescale all the parameters proportionally. since the functionality is there it must be accessible somehow. maybe change the sequence to the res of the still, nest it and use the nest. i’ll let you know.
/matt
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ok, you’re right. i was doing things in the wrong order. so, setting the clips to none *does* work. i was sure i had tried it. thanks a lot everybody.
why is this an issue at all? i would have understood if they applied the deinterlace filter automatically, like they do with shift fields, but silently and non undoably like this? weird.
/matt
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actually that’s exactly what used to work in fcp 5, but doesn’t anymore. very annoying. i’m gonna try prores and see if that works better. thanks.
no, i haven’t been able to capture as 25p. i’m assuming it’s not just a flag, as with progressive dv, but a different codec with different color sampling? although my hv20 does recognize xl h1 material as being 25f when played back so it’s flagged for sure. maybe fcp should simply have a psf setting? wait, that’s what it had by letting you set the field dominance of interlaced clips to none. 😉
/matt
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[gary adcock] “The other issue is that your cameras do not record an industry standard 25p format- canon uses their own F mode which is not the same P outside of their camera system”
i know that’s the issue. i was asking for the solution. fcp 5 handles it gracefully by simply ignoring it. 🙂 canon cameras use psf encoding, just like hdcam, xdcam and most other 1080p formats i’m aware of, so it’s not a curiosity.
/matt
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no, it’s not how it used to work. assuming that people are lying might be a good strategy for dr house, but you come across as just as rude as him, the difference being that he’s always right while you just show your ignorance. 🙂
anyway, i think you just misunderstood. the problem, which is new in fcp 6, is that fcp automatically deinterlaces footage placed in a progressive timeline. i don’t want it to. how do i stop it?
/matt
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i know. if i have a high budget i take the originals to them and do a proper uncompressed online, if i have a little less i online from [h]dv to uncompressed and bring the hard drive, but if i don’t have any money i bring a minidv tape. it costs much less and getting good deals is super easy, which is not the case with hard drives.
/matt
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i’m in sweden and not the u.s. but we have similar rules. however, i master all my “self onlined” sd programs to dv and hd programs to hdv, take them to a dupe house to make digibeta and hdcam dubs, which i deliver, and nobody’s complained yet. and this is everything from national television to cable pay tv, and everything from commercials to short films.
(hopefully they don’t read this)
🙂
/matt
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ok, i’ve reinstalled (by deleting the receipts) all the fcp, proapp and qt updates and still the same problem. since quicktime doesn’t complain it must be low level, right? maybe down on the firewire driver level? the port is recognized, the connection to the camera or deck is made, but no image is output. this happens with simplevideoout as well as fcp, and did i mention that capturing and device control works fine?
/matt
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yeah, i have one too. it’s called slow motion.
https://www.mattias.nu/plugins/
guys, can anybody help me with my video out problem, see other thread? 😉
/matt