John-michael Seng-wheeler
Forum Replies Created
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Well, first of all, you need to tell us what version of Premiere you’re using cause CS5.5 and before handle audio differently from CS6.
Second, how exactly did you delete one half of the audio?
What you really should do in this situation is, after you’ve imported your audio, but before any of it is in the timeline, select them all and right click Modify>Audio channels and then set them to Mono and disable channel 2.
JM
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XDCAM in a .MOV file is only supported on mac. (thanks a lot apple.) You’ll ether need to convert the footage to another format or find and relink to the original XDCAM files.
I believe there is also a program out there which can unwrap the XDCAM codec from the .mov file.
JM
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Sorry I forgot one more point. Look at the last comment on the blog post for how to install the codecs without having a Apple Pro App installed.
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If you haven’t already installed bought Compressor, there’s a way to install the Codecs without buying anything:
https://blogs.adobe.com/VideoRoad/2011/09/prores-codecs-now-a-free-download.html
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Um, Angelo, Read a little closer:
[Matt Riley] “My system is a year-old 8 core Mac Pro, 16 GB RAM, Kona3, QuadroFX 4800 and a RED Rocket card.”
So, I think you and I agree that his RR card isn’t working….
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Well, my first thought is that it doesn’t sound like Premiere is using the Red Rocket, cause i get about the same performance without one, but I don’t know anything about the RR so that’s for someone else to answer.
Also, GPU acceleration doesn’t affect everything.
—Begin Quotes—
“Here’s a list of things that Premiere Pro CS5 and later can process with CUDA:
some effects (complete list at the bottom of this post)
scaling (details here)
deinterlacing
blending modes
color space conversions”and from https://blogs.adobe.com/premiereprotraining/2011/04/adobe-premiere-pro-cs5-5-improvements-in-cuda-processing-and-the-mercury-playback-engine.html
Which is a list of stuff added with CS5.5:“frame rate differences
field order differences
pixel aspect ratio differences
frame size differences
media with different alpha channel representations”—End quotes—
So the GPU isn’t doing very much in your example, except scaling.
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Have you tried exporting the AVCIntra in an MFX 0P1a instead?
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[Gates Bradley] “One piece of pertinent info I forgot to mention is that my sequence begins with a decently intense, nested AE comp. Still, like I said, the sequence is completely rendered, and ‘use previews’ is selected, so to my knowledge this isn’t suppose to be a factor.”
Well, first you should try rendering the video without this segment. It’s probable that some kinda glitch is preventing it from using the preview. Also, Premiere calculates the render time based on the current speed of rendering, meaning that it’s says two hours because that’s how long it would take to render if the entire two+ minutes of video was as hard to render as this first bit of AE work. If you just wait patiently bet it’ll suddenly take off and finish.
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This looks like pretty standard SD from a SD native camera from the early 2000’s, such as a XL1 or 2 or a PD150.
Also, to compound the problem, in your first sample image the camera is focused on the music stand in the background, although the DOF is so big on this kind of camera that it makes little diference.
What you see is what you get. There’s basically nothing you can do.
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I was under the impression that Adobe started bundling the video applications under the name “Production Studio” with Premiere Pro v2, but ether way, Ann is right, you will not be able to edit AVCHD with it.
The diference is that if you have version 2 you will be able to edit HDV, so you could rent a HDV camera instead. You’re probably better off using a different program if you plan to make a habit of editing stuff for your church.