John Cuevas
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Took me a bit to get back to this, been a busy day. So I messed around with this and it’s basically a math problem. You have the null rotating at 9 degrees every frame with a large velocity. Even from your picture, you can see that over 20 frames you get 20 lines, each 9 degrees apart. To get a smooth line you would have to adjust your frame rate 9 times faster to get a 1 degree move, or 180 frames per second but AE only goes up to 99 frames per second.
To get the animation you want, you need to move your keyframes to 6 seconds(9 times the length it currently is). Precomp the entire thing and time remap.
Johnny Cuevas, Editor
http://www.thinkck.com -
Not sure how to exactly go about this in AE, but since you know of a way of accomplishing it in photoshop, couldn’t you export a tif sequence, create an action in photoshop that would scale up the way you want and save, then just import into AE and create your animation.
Johnny Cuevas, Editor
http://www.thinkck.com -
Can you post a picture? I’m not entirely sure exactly what you are seeing.
Johnny Cuevas, Editor
http://www.thinkck.com -
You are correct, it’s a keyframe interpolation issue. If you select all the keyframes and right click you can change the interpolation to linear.
Check out this page for a lot more detail: https://help.adobe.com/en_US/aftereffects/cs/using/WS3878526689cb91655866c1103906c6dea-7d99a.html
Johnny Cuevas, Editor
http://www.thinkck.com -
Check the timeline and see if you only have a segment of the work area selected. You can change this by pushing the “end” button and then “n”. That would cause it if you are exporting to .swf.
If you are rendering, in the render settings there is an option under “Time Span” to override the work area and change it to length of comp.Johnny Cuevas, Editor
http://www.thinkck.com -
2) If you are trying to watch in high quality mode, depending on the footage(anything with a GOP structure) you need to transcode it before you can watch it real time. You can change the viewing mode to a lower quality and watch it real time(viewing mode is on the timeline-little colored box)
Have no idea why about the first issue.
Johnny Cuevas, Editor
http://www.thinkck.com -
What’s happening is you are stretching the video when you bring it into the avid from 320 x 180 to 720×486 1.2 PAR. That’s where you are losing the quality. Avid is fine to export, if the quality is 100% to start, but you’ve already lost quality, you won’t get it back.
Johnny Cuevas, Editor
http://www.thinkck.com -
Assuming you added those markers for motion tracking. You will use the clone tool to cover up the markers. Put the clone stuff on a seperate layer. Then use your motion tracking data to have the clone/paint footage follow the tracking markers.
Johnny Cuevas, Editor
http://www.thinkck.com -
You could use the cartoon effect in AE. Adjust the shading and smoothness to say 12.0 and 40. Then just switch to edges.
If you started there and did some compositing you could probably get close to what they did.
Tutorial here that goes into more detail doing it from scratch using AE and Illustrator that will give you a little more control:
https://library.creativecow.net/articles/rabinowitz_aharon/cartoon_look.php
Adobe Tutorial: https://www.adobe.com/designcenter/aftereffects/articles/lrvid4066_ae.html
Johnny Cuevas, Editor
http://www.thinkck.com -
Just tried it out and it seems the grid does turn off when you move the camera around.
You could make a fake grid. create a large solid, apply the grid effect, turn it into a 3D layer and put it in the approximate place where the CC Particle grid/floor is located.
Johnny Cuevas, Editor
http://www.thinkck.com