Jesse Gordon
Forum Replies Created
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Launching Audio Suite did not help with the Scanning message.
I tried this in addition to mixing down, etc. BTW, there were no plug-ins applied.Creating a new user did make this message go away, but exports were extremely long.
Ultimately, I created a new project and export times were as expected.thx,
Jesse -
Thank you – just to carry through:
1) “Edit in 16×9”: I can change the Composer windows to display 16×9 but is there such a thing as creating an inherently 16×9 timeline in a 30iNTSC project? I am in Avid 3.5
2) Avid import resolutions: I have a variety of MXF options available.
Should I be 1:1 MXF, or something like DV25 411 MXF or DV50 MXF given a 720 x 480 source?3) Is the Avid 1:1x I made in MPEG streamclip the same as MXF? The Avid is creating new media. Want to make sure I’m not adding an unnecessary detour/stepping on the footage an extra time.
4) Thanks for your help! I want to get this right as its a ton of footage. My last few jobs I’ve been fortunate to have assistants & camera originated material, so no need to suss out this type of non-optimal work flow.
– Jesse
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All ISOs are needed.
In the cut-down for re-air ISOs only used where necessary (when cutting chunks out of Line Cut)
but the network will certainly insist on recording all ISOs.
In any case, at this point, I’m pretty sure HDCAM is a done deal (trucks got it, etc etc).
So, for ingest, cutdown, re-output Do you still advise Prores?
thx
Jesse -
This was my original thought, but the number if Ki pros necessary for every ISO, plus a tech to oversee is not feasible. The broadcast truck already has HDCAM decks standard. And, the last Multicam show i was on, one of the Ki pros crapped out and camera compact flash cards had to be used instead. This does not inspire confidence.
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2 x Quad-Core Intel Xeon
8 GB RAM
10.4.11
FCP 6.0.5
Aja Kona LHe w/BOB -
Possible, but I would expect HD files from a 5D.
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I switched the firewire port I was connecting the deck to and it seems to be working now. Thanks.
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Do you mean that you convert the XDCAM EX3 footage to Prores 422 (HQ) footage? I am trying to avoid transcoding all of the media as there is a ton of it, and it will take forever.
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I figured it out.
In my over-exhausted state I didn’t realize that the digi was connected to channel 2 of the NTSC monitor via composite.The graphics still looked terrible when the show broadcast this morning,
but I am no longer seeing a difference between LHe output and Digi output
so the onus is on those who supplied the graphics.Thanks
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As I suspected.
Thanks.