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Activity Forums Avid Media Composer Workflow 4:3 letterboxed dvds

  • Workflow 4:3 letterboxed dvds

    Posted by Jesse Gordon on March 1, 2011 at 10:42 pm

    Hi –

    Looking for some workflow advice.
    Am cutting a director’s reel on avid 3.5

    Sources are DVDs, 4:3 letterboxed (black bars).

    Want to deliver a 16:9 master to vimeo or equivalent. (without black bars)

    What is best workflow?
    Thinking to convert DVDs via MPEG Streamclip – what codec?
    And how to best work with this material in a 16:9 project?

    I know none of this is ideal but it is what it is. Thanks for your help.
    Jesse

    John Pale replied 15 years, 2 months ago 4 Members · 5 Replies
  • 5 Replies
  • John Pale

    March 2, 2011 at 5:09 am

    Export Quicktime from MPEG Streamclip in Avid 1:1x codec.

    In the export of MPEG Streamclip settings, select to crop off the letterbox.

    63 off the top and bottom should do it, but you might have to experiment a little to get it just right.

    Import the resulting files. Edit in a 16:9 sequence. Since you are blowing up the image, there will be some unavoidable degradation, but you knew that.

  • Kris Anderson

    March 2, 2011 at 9:12 am

    Or import it 4:3 letterboxed, cut it into your sequence and add an Avid pan and scan effect… 4:3—>16:9.

  • Grinner Hester

    March 2, 2011 at 2:32 pm

    Just export a nice quicktime cropped at 720X360 for vimeo when done editing.

  • Jesse Gordon

    March 2, 2011 at 3:35 pm

    Thank you – just to carry through:

    1) “Edit in 16×9”: I can change the Composer windows to display 16×9 but is there such a thing as creating an inherently 16×9 timeline in a 30iNTSC project? I am in Avid 3.5

    2) Avid import resolutions: I have a variety of MXF options available.
    Should I be 1:1 MXF, or something like DV25 411 MXF or DV50 MXF given a 720 x 480 source?

    3) Is the Avid 1:1x I made in MPEG streamclip the same as MXF? The Avid is creating new media. Want to make sure I’m not adding an unnecessary detour/stepping on the footage an extra time.

    4) Thanks for your help! I want to get this right as its a ton of footage. My last few jobs I’ve been fortunate to have assistants & camera originated material, so no need to suss out this type of non-optimal work flow.

    – Jesse

  • John Pale

    March 2, 2011 at 6:09 pm

    The scaling in Streamclip is superior to within the Avid, to my eye anyway.

    Avid 1:1x is the MXF version. The plain 1:1 is the old Meridien version. Either one will work fine in this instance

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