Jerry Wise
4
COW Coins
4
Premiere Pro Coins
Forum Replies Created
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i think in this case that 59.9i and 29.9 might be same thing.
all the work i do ends up on tv and i monitor my work on a tube monitor so i’m old school. actually i have a flat screen too. i have both so i can see if there is going to be any problems with my work when its put to air.
we havent heard back from Austin. maybe he gave up.
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What is your Sequence Setting.?
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from the timeline
file
export
quicktime moviecurrent settings
custom
general tab
quicktime video settings
h264frame size 1920×1080 hdtv 1080i 16×9
square
upper odd
29.97
timecode rate same as editing timebase -
i just did an h264 export of some xdcam 29.97 interlaced footage and it looks great. matches perfectly.
actually i like interlaced footage and we broadcast at 1080i. you get much smoother motion.
i assume you converted your footage to prores 422 before starting your edit. -
is your clip Prorez ?
is your “canvas” background set to black and not white or checkerboard.? -
i would run your animation codec thru Compressor and convert to ProRes 422HQ.
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somewhere out there in the forum is a link to a droplet you can use to add pulldown to your project. make a QT of your project, load it into compressor, add the pulldown droplet and the output will time out properly your client will be happy. i use it all the time and it works great for me.
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i also would get the red line and i found out that my sequence was set to 48khz but my source was 44.1khz. i ran it thru soundtrack pro and upped it to 48 and all was good.
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have you tried editing your project using an HD timeline..1920×1080.? it will look good and you can output a center-cut. just edit your pics keeping in mind the 4×3 output you are aiming for.
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i got bagged by not checking self contained and then disconnected my media drive…..playback was black frames.
i also sent the QT files to a client…and he got black frames because he didnt have the media drive connected.