Forum Replies Created
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I think this is a bit hard to diagnose – you’ve done some workaround that are ‘stop don’t do that’ moments.
– Compressing it to an MPEG2 PAL, compressing it back to NTSC…going to 10 bit uncompressed.I think you really need to go back and examine what the problems are and have us help you solve for that, rather than solving for your workarounds.
I’m trying to sum up your problems to make sure I understand them:
Some images (jpgs) were shifting in luminance (getting brighter/darker)?Was all the video Standard def? Was it all at 29.97? The more we know, the more we have a possibility of helping.
Best,
Jeff G
Apple Master Trainer | Avid Cert. Instructor DS/MC | Adobe Cert. Instructor
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Jeff Greenberg
June 19, 2011 at 8:29 pm in reply to: Which kind of computer monitoring program is best for an Apple?OSX Keyloggers.
Best,
Jeff G
Apple Master Trainer | Avid Cert. Instructor DS/MC | Adobe Cert. Instructor
————
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How are you exporting out of FCP? Are you exporting via QuickTime Conversion? Doing a QuickTime reference file? Or using Compressor?
Best,
Jeff G
Apple Master Trainer | Avid Cert. Instructor DS/MC | Adobe Cert. Instructor
————
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That’s a very odd size. Where does it come from?
Best,
Jeff G
Apple Master Trainer | Avid Cert. Instructor DS/MC | Adobe Cert. Instructor
————
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Works great. Just taught a class using them.
Best,
Jeff G
Apple Master Trainer | Avid Cert. Instructor DS/MC | Adobe Cert. Instructor
————
You should follow me (filmgeek) on twitter. I promise to be nice.
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Avid, through Avid Authorized Training Centers, has a comprehensive set of courses that are intense and hands on.
Start with MC 101 on this page here for a schedule of the one closest to you.
If you want to know a specific of any given class, ask away!
Best,
Jeff G
Apple Master Trainer | Avid Cert. Instructor DS/MC | Adobe Cert. Instructor
————
You should follow me (filmgeek) on twitter. I promise to be nice.
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Compressor Essentials from Lynda.com
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Marc,
You really need an external broadcast monitor (not a standard TV set) to gauge the colors correctly; how do you know that the sats aren’t just turned up on the external monitor?
Then, it needs to be calibrated. Google Calibrating NTSC monitors.
Last, you need to be able read your scopes to be able to correctly handle color evaluation.
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But to actually reduce reds:If you use the 3 way color corrector, there’s a ‘turn down’ arrow at the bottom. It’s a keyer. You use the eyedropper to pick the ‘red’ then adjust the saturation at the top of the effect (not in the bottom section) to reduce the red values (and only the red values) on the clip.
Best,
Jeff G
Apple Master Trainer | Avid Cert. Instructor DS/MC | Adobe Cert. Instructor
————
You should follow me (filmgeek) on twitter. I promise to be nice.
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To add to shane’s questions – what are they cutting on?
Best,
Jeff G
Apple Master Trainer | Avid Cert. Instructor DS/MC | Adobe Cert. Instructor
————
You should follow me (filmgeek) on twitter. I promise to be nice.
Come See me speak at NAB!
Compressor Essentials from Lynda.com
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Contact me through my Website -
For the future – any still/video can become a drop zone. (look on the 4th tab of the inspector.)
Basically it permits a swap of another element in a more user friendly method (than a standard replace.)Also, if you save the motion project as a TEMPLATE, the drop zones are replaceable in FCP.
Best,
Jeff G
Apple Master Trainer | Avid Cert. Instructor DS/MC | Adobe Cert. Instructor
————
You should follow me (filmgeek) on twitter. I promise to be nice.
Come See me speak at NAB!
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Contact me through my Website -
Jeff Greenberg
June 14, 2011 at 2:57 pm in reply to: Edited Clip larger in Export Movie? uncompressed AVIYes, it’s compressed. Uncompressed video = approx 1 gig/min. This workaround you’re doing? Not worth it.
Couple of things; first, you’re trying to save storage space – for $70 you can go get a 1tb in storage (not the best, but it’s affordable.)
Generally speaking, especially with file based media (vs. footage from tapes), you bring it all in, you preserve all of it, in case you need it. I have a closet full of hard drives of client material like this (well, not exactly, but I’m trying to stress this idea, preserve the video; storage is cheap.)
The compressed video you have is likely not very happy being cut up into smaller pieces. To do so would require that it suffer a hit in quality. If you want the long discussion let me know.
Best,
Jeff G
Apple Master Trainer | Avid Cert. Instructor DS/MC | Adobe Cert. Instructor
————
You should follow me (filmgeek) on twitter. I promise to be nice.
Come See me speak at NAB!
Compressor Essentials from Lynda.com
(older but still good) Marquee, Media Composer (3.5) and Basic/Advanced Color DVDs (1.0) from Vasst.com
Contact me through my Website