Jeff Greenberg
Forum Replies Created
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Chris,
When you dragged to the timeline, I’ll bet the track patching (the V+A) on the timeline has either no audio or the audio disconnected.
The method I talked about?
F = match frame. It’ll load the exact frame for video back in the view – not the one in the timeline, the original.Do this from the first frame of the clip on the timeline. Press X – the clip has an in/out on it.
Then press F (for match frame).
Then press I (in the viewer)
Then press the overwrite button.You’l have overwritten the clip on the timeline with the original clip + it’s audio tracks.
Best,
Jeff G
Apple Master Trainer | Avid Cert. Instructor DS/MC | Adobe Cert. Instructor
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Are you sure the original is uncompressed? I know it’s an obvious question, but it’s always those that bit us.
Best,
Jeff G
Apple Master Trainer | Avid Cert. Instructor DS/MC | Adobe Cert. Instructor
————
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I can think a bunch of ways to skin the cat here….
Is the background of the numbers a solid? If so, why not create a gradient (of one color) and drag and drop that?
Best,
Jeff G
Apple Master Trainer | Avid Cert. Instructor DS/MC | Adobe Cert. Instructor
————
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Double click the sequence in your bin.
Then press CMD-3
Best,
Jeff G
Apple Master Trainer | Avid Cert. Instructor DS/MC | Adobe Cert. Instructor
————
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Kathleen,
CS2 isn’t available for download from Adobe’s site, is it? I think it’s now CS5, which won’t run on your system.
Generally, if something is broken like this on windows, the general thought is to uninstall/reinstall.
Best,
Jeff G
Apple Master Trainer | Avid Cert. Instructor DS/MC | Adobe Cert. Instructor
————
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If you’re using Avid, it came with Sorenson Squeeze – a great tool to compress your video in the MPEG-2 format necessary for DVD authoring. Have you tried squeeze?
Best,
Jeff G
Apple Master Trainer | Avid Cert. Instructor DS/MC | Adobe Cert. Instructor
————
You should follow me (filmgeek) on twitter. I promise to be nice.
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PAL crawls should run at 50/100/150 pixels/sec.
Best,
Jeff G
Apple Master Trainer | Avid Cert. Instructor DS/MC | Adobe Cert. Instructor
————
You should follow me (filmgeek) on twitter. I promise to be nice.
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Open the media tool. Select all the clips for this project from all drives.
Clip menu: consolidate/transcode.
Consolidate all the clips to another drive.
One option – ‘delete’ will delete the original media. The project will be hooked up to the new drive. Copy the project (at the desktop level) and go.
Second option – don’t choose delete. When you do this, you’ll have two copies – the original and the new media.
If you choose relink selected clips to target drive, the project will connect to the new drive (and it will rename the original media as .old.)
If you don’t choose relink, it’ll keep it’s existing links on the existing drive and create .new media on the new drive. When you copy the project and put it on computer #2 – you’ll have to ‘relink’ it.Best,
Jeff G
Apple Master Trainer | Avid Cert. Instructor DS/MC | Adobe Cert. Instructor
————
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The higher the number, the larger the files/less compressed. And the converse is true as well.
For your footage/footage, the sizes between 115-145 are decent. 175/220 is probably a waste of space. While the ‘X” resolutions (220x) contains 10 bits of video space, it probably won’t make much of a difference.
Best,
Jeff G
Apple Master Trainer | Avid Cert. Instructor DS/MC | Adobe Cert. Instructor
————
You should follow me (filmgeek) on twitter. I promise to be nice.
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Compressor Essentials from Lynda.com
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Are you trying to finish in DS or finish in MC?
Best,
Jeff G
Apple Master Trainer | Avid Cert. Instructor DS/MC | Adobe Cert. Instructor
————
You should follow me (filmgeek) on twitter. I promise to be nice.
Come See me speak at NAB!
Compressor Essentials from Lynda.com
(older but still good) Marquee, Media Composer (3.5) and Basic/Advanced Color DVDs (1.0) from Vasst.com
Contact me through my Website