Forum Replies Created
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Sorry to miss the “Express” part – I don’t know if Cow has an express forum.
Meanwhile – @ 2 minutes, if you’re going to manually use h.264, I suggest you use the data rate of approx. 6000 for your video – this will yield a file, a little under 100 megabytes
Best,
Jeff G
Apple Master Trainer | Avid Cert. Instructor DS/MC
Come See me speak at NAB!
Compressor Essentials from Lynda.com
(older but still good) Marquee, Media Composer (3.5) and Basic/Advanced Color DVDs (1.0) from Vasst.com
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Any chance I could get a copy of that video? I’d like to show it to some people…just the wacky moments with the wipers…
Best,
Jeff G
Apple Master Trainer | Avid Cert. Instructor DS/MC
Come See me speak at NAB!
Compressor Essentials from Lynda.com
(older but still good) Marquee, Media Composer (3.5) and Basic/Advanced Color DVDs (1.0) from Vasst.com
Contact me through my Website -
[Emanuel Ach] “1) Is there any real advantage if I choose field dominance: progressive (is this going to change the frame rate to 24?)?
2) Will “Two pass VBR Best” cause any problems on the broadcast? (just in case I miss something)
3) What’s with the YUV 4:2:2 color encoding, option in “Compressor”? How can compressor take DV that is 4:1:1 and make it 4:2:2 (when the information is not there?) ? If that’s enabled is there really going to improve the quality?
4) Are any of those filters in compressor useful for something?”1) no, keep the file interlaced if it was interlaced. If the frame rate was 24, it might be progressive.
2) Might – depends on the broadcast specs.
3) Actually, it interpolates the missing information. It’s just upsampling. And DVDs are 4:2:0
4) Yes.Best,
Jeff G
Apple Master Trainer | Avid Cert. Instructor DS/MC
Come See me speak at NAB!
Compressor Essentials from Lynda.com
(older but still good) Marquee, Media Composer (3.5) and Basic/Advanced Color DVDs (1.0) from Vasst.com
Contact me through my Website -
DVD structure: yup, copy the video TS folder.
Lots of program will play it, including VLC player.
Best,
Jeff G
Apple Master Trainer | Avid Cert. Instructor DS/MC
Come See me speak at NAB!
Compressor Essentials from Lynda.com
(older but still good) Marquee, Media Composer (3.5) and Basic/Advanced Color DVDs (1.0) from Vasst.com
Contact me through my Website -
Compressor comes with FCP; and theres a preset for youtube (you can upload files larger than 100mbs)
Best,
Jeff G
Apple Master Trainer | Avid Cert. Instructor DS/MC
Come See me speak at NAB!
Compressor Essentials from Lynda.com
(older but still good) Marquee, Media Composer (3.5) and Basic/Advanced Color DVDs (1.0) from Vasst.com
Contact me through my Website -
If you have the QuickTime file in HD and the SD names match…
Take the sequence, Media Manage – Make Offline, pick the sequence type you want…and then relink.
Best,
Jeff G
Apple Master Trainer | Avid Cert. Instructor DS/MC
Come See me speak at NAB!
Compressor Essentials from Lynda.com
(older but still good) Marquee, Media Composer (3.5) and Basic/Advanced Color DVDs (1.0) from Vasst.com
Contact me through my Website -
Lerato,
I’ll ask: Why? You can mix HD and SD footage in a timeline; SD has a lower demand than HD…..
But again, understanding the why is valuable for advice.
Best,
Jeff G
Apple Master Trainer | Avid Cert. Instructor DS/MC
Come See me speak at NAB!
Compressor Essentials from Lynda.com
(older but still good) Marquee, Media Composer (3.5) and Basic/Advanced Color DVDs (1.0) from Vasst.com
Contact me through my Website -
No, all of that is pretty standard. I’ve used MPEG files out of compressor on PC DVD authoring. Hmm. They should specify the actual GOP length…but that’s about all that’s worth mentioning (and with CBR, it shouldn’t really matter much about the GOP.)
Best,
Jeff G
Apple Master Trainer | Avid Cert. Instructor DS/MC
Come See me speak at NAB!
Compressor Essentials from Lynda.com
(older but still good) Marquee, Media Composer (3.5) and Basic/Advanced Color DVDs (1.0) from Vasst.com
Contact me through my Website -
put three clips in a stack so each clip starts 2 seconds after the prior one.
Do the following at a point in the stack where all three clips are visible:
Scale and crop each down. Move them off the center of the frame.
By scaling it down, each clip won’t be full screen.
By cropping, each clip won’t have all of its pixels.
By repositioning the center, each clip comes up on part of the screen.As each shot comes on, it’ll have that ’24’ feel.
Best,
Jeff G
Apple Master Trainer | Avid Cert. Instructor DS/MC
Come See me speak at NAB!
Compressor Essentials from Lynda.com
(older but still good) Marquee, Media Composer (3.5) and Basic/Advanced Color DVDs (1.0) from Vasst.com
Contact me through my Website -
Shouldn’t be an issue. What are the exact specs they gave you?
Best,
Jeff G
Apple Master Trainer | Avid Cert. Instructor DS/MC
Come See me speak at NAB!
Compressor Essentials from Lynda.com
(older but still good) Marquee, Media Composer (3.5) and Basic/Advanced Color DVDs (1.0) from Vasst.com
Contact me through my Website